That blog is where I'll be working out 2009 in fear and trembling. There won't be anything new in this space, which is not out of the ordinary.
Creatively, my only priority is the completion, publication and delivery of YHFzero.
Its process has been terrifying and grueling and has led to only more procrastination (and a lot more fear.) For it has become a single-minded confrontation with my epic failure and subsequent banishment into the wilderness. It has been one long trial. & it's long delay has, I'm positive, alienated many of our dearest friends -- which is a guilt that is not fleeting.
By the time I deliver the book to those amigos who share in its dedication, it will be 2 years late.
Obviously, it will not only be the second, but also the last book I'll release. But, it will be released...and soon. With deep apologies and everlasting gratitude.
You are not alone,
J. Stephen Jorge
Friday, January 09, 2009
Sunday, June 15, 2008
Rosemary Starr in "The First Line"
Ladies and gentlemen, our own Rosemary Starr has been published in the 10-year anniversary issue of THE FIRST LINE -- an indie anthology you can subscribe to at www.thefirstline.com -- and you can hear the brilliant story at their website. Just click on "TFL on Tape".
The story is called "Selfish and Nasty". You'll love it.
Buy the spring 2008 issue. Well done, Rosemary!
Sunday, October 21, 2007
Thursday, October 11, 2007
EYE LAND BEASTS - Table of Contents
one man's (meandering) cameraphone tour of New York City
one-hundred pseudo-comic panels (in a faux-fumetti fashion)
1 thru 75 will be linked up soon...
76. Fishers of Zen
77. The Pony Express
78. Weird Art .2
79. Wonka on the Hudson .2
80. "Shut it. Shut it down. Shut it ALL the way down."
81. It's a Celebration!
82. Irish Pride
83. Letter on Signpost .3 (the last one)
84. The Exhibitionist
85. The Importance of Interest
86. Five Star Vaca
87. Put Away Childish Things
88. Regular Division of Plain Carpet (after Escher)
89. Deployment
90. Castles .2
91. Fire Works
92. Betimes, you give up.
93. We Are Litter Rock
94. I can see your insides.
95. Carry Me Home
96. alltogethernow
97. Leave it behind.
98. Scary, where you go.
99. You won't be lonely tonight.
100. And That Is That
one-hundred pseudo-comic panels (in a faux-fumetti fashion)
1 thru 75 will be linked up soon...
76. Fishers of Zen
77. The Pony Express
78. Weird Art .2
79. Wonka on the Hudson .2
80. "Shut it. Shut it down. Shut it ALL the way down."
81. It's a Celebration!
82. Irish Pride
83. Letter on Signpost .3 (the last one)
84. The Exhibitionist
85. The Importance of Interest
86. Five Star Vaca
87. Put Away Childish Things
88. Regular Division of Plain Carpet (after Escher)
89. Deployment
90. Castles .2
91. Fire Works
92. Betimes, you give up.
93. We Are Litter Rock
94. I can see your insides.
95. Carry Me Home
96. alltogethernow
97. Leave it behind.
98. Scary, where you go.
99. You won't be lonely tonight.
100. And That Is That
Monday, July 30, 2007
Monday, July 23, 2007
PoorRockJourno: A Conversation with Ronnie Martin of Joy Electric
Joy Electric's latest release is THE OTHERLY OPUS.
interview circa 2002
now archived, for no particular reason
[J. Stephen Jorge] You achieved new heights with 2001's The White Songbook, and 2002 has launched a new and dynamic future for your music. What inspires you to push your art further?
[Ronnie Martin] I am consistently unsatisfied with my work, so I'm always striving to improve and refine. I have an unwavering obsession with songs and synthesizers, so it's just a natural thing for me to continue to push forward. Even before I finish an album, I'm thinking about what will come next.
[JSJ] In many of your songs, this progressive edge to your music also delivers a lyrical yearning for happy eras gone. Why do you think this juxtaposition is so attractive to you and your fans?
[RM] I think everyone misses the old days. Everybody has good times in their life that passed them by, and that's just something I've tended to think about since I was very young. How do you stop change? It would be like trying to erase death. I suppose I'm writing about things I don't quite understand, but I know they hurt.
[JSJ] Maybe it’s that lack of certainty that allows your songs to capture emotions with such clarity, especially sadness. How do you become content with who you are and what you do?
[RM] I don't know that you can, unless you place that behind who you truly are in Christ. I want to chronicle the events and feelings in my life, but they should be directly "behind" my contentment that comes from knowing the Lord. Contentment is a dramatic issue. It's something that I continually try to get a focus on.
[JSJ] Family and Relationship are two themes expressed in many of your songs. What are your thoughts on family in the 21st century?
[RM] Well, it's fairly obvious that people, Christians and non-Christians alike, don't put a priority on the family. Most are just statistics of how the culture views the family. Personal "happiness" and "self-worth" seem to be the prevailing aspects of why people split up and try to destroy their children’s lives. It's a frustrating topic. I want to see couples who are fighting to stay together, despite the odds. Because it will get better ... everything does.
[JSJ] The Christian music industry is interested in selling musical evangelists, no matter the artistry. How do you separate your faith from the expectations placed upon you?
[RM] I don't think you can separate your faith from anything. Some of the problems we've seen in this industry are the result of artists who try to do just that. As far as being a musical evangelist, I don't know that I've seen that to be effective either. Bands use that as a way to bring in success because it's become a sort of industry creed, but an empty one at that. The only expectations on me are probably artistic ones, because that's what the fans seem to want, and I see no problems with that from a Christian standpoint. I believe that as Christians we need to do the absolute best and most creative job we possibly can. There's no reason why Christians cannot make forward-thinking and experimentally pure music. The problem is that it won't be commercially successful, and that stops artists from being artists, and makes them salesmen. I get so tired of hearing bands say they're influenced by Radiohead, for instance, but then sound no different than the Goo Goo Dolls. It's an epidemic.
[JSJ] So, what allows you to remain so consistent in your artistic vision, despite the overwhelming presence of fads?
[RM] Because I love what I do and I hate fads. I'm more confused about bands who sound like everything you hear on the radio because I have no idea what their mindset could be in making music like that. Again, it's more based on people wanting to be salesmen, rather than musical scientists. The first thing I think of when I hear a band I like is how much I don't want to sound like them, rather than the other way around.
[JSJ] What will be the heritage of Ronnie Martin?
[RM] I want to do the will of God for my life.
###
interview circa 2002
now archived, for no particular reason
[J. Stephen Jorge] You achieved new heights with 2001's The White Songbook, and 2002 has launched a new and dynamic future for your music. What inspires you to push your art further?
[Ronnie Martin] I am consistently unsatisfied with my work, so I'm always striving to improve and refine. I have an unwavering obsession with songs and synthesizers, so it's just a natural thing for me to continue to push forward. Even before I finish an album, I'm thinking about what will come next.
[JSJ] In many of your songs, this progressive edge to your music also delivers a lyrical yearning for happy eras gone. Why do you think this juxtaposition is so attractive to you and your fans?
[RM] I think everyone misses the old days. Everybody has good times in their life that passed them by, and that's just something I've tended to think about since I was very young. How do you stop change? It would be like trying to erase death. I suppose I'm writing about things I don't quite understand, but I know they hurt.
[JSJ] Maybe it’s that lack of certainty that allows your songs to capture emotions with such clarity, especially sadness. How do you become content with who you are and what you do?
[RM] I don't know that you can, unless you place that behind who you truly are in Christ. I want to chronicle the events and feelings in my life, but they should be directly "behind" my contentment that comes from knowing the Lord. Contentment is a dramatic issue. It's something that I continually try to get a focus on.
[JSJ] Family and Relationship are two themes expressed in many of your songs. What are your thoughts on family in the 21st century?
[RM] Well, it's fairly obvious that people, Christians and non-Christians alike, don't put a priority on the family. Most are just statistics of how the culture views the family. Personal "happiness" and "self-worth" seem to be the prevailing aspects of why people split up and try to destroy their children’s lives. It's a frustrating topic. I want to see couples who are fighting to stay together, despite the odds. Because it will get better ... everything does.
[JSJ] The Christian music industry is interested in selling musical evangelists, no matter the artistry. How do you separate your faith from the expectations placed upon you?
[RM] I don't think you can separate your faith from anything. Some of the problems we've seen in this industry are the result of artists who try to do just that. As far as being a musical evangelist, I don't know that I've seen that to be effective either. Bands use that as a way to bring in success because it's become a sort of industry creed, but an empty one at that. The only expectations on me are probably artistic ones, because that's what the fans seem to want, and I see no problems with that from a Christian standpoint. I believe that as Christians we need to do the absolute best and most creative job we possibly can. There's no reason why Christians cannot make forward-thinking and experimentally pure music. The problem is that it won't be commercially successful, and that stops artists from being artists, and makes them salesmen. I get so tired of hearing bands say they're influenced by Radiohead, for instance, but then sound no different than the Goo Goo Dolls. It's an epidemic.
[JSJ] So, what allows you to remain so consistent in your artistic vision, despite the overwhelming presence of fads?
[RM] Because I love what I do and I hate fads. I'm more confused about bands who sound like everything you hear on the radio because I have no idea what their mindset could be in making music like that. Again, it's more based on people wanting to be salesmen, rather than musical scientists. The first thing I think of when I hear a band I like is how much I don't want to sound like them, rather than the other way around.
[JSJ] What will be the heritage of Ronnie Martin?
[RM] I want to do the will of God for my life.
###
Monday, July 16, 2007
Monday, July 09, 2007
PoorRockJourno: A Conversation with Garrett Soucy of Tree by Leaf
Tree by Leaf's latest release is THERE IS A VINE.
interview circa 2001
now archived, for no particular reason
[J. Stephen Jorge] How has the sound of Tree by Leaf progressed since “Evening Treatise”?
[Garrett Soucy] Well, we let ourselves be influenced more by whom we want to be influenced by as opposed to being influenced by those we thought we should be influenced by. In a lot of ways, lyrically I’ve sprung on this new freedom…just letting myself write without the fear of venues, like Christian venues. And it’s better for me; I’m a healthier person. We’ve been influenced a lot by what I guess would be called “indie rock” and also country music. Sort of a cross section between Pedro the Lion and like Johnny Cash, people like that. There’s this band called Whisky Town that’s just this swinging country band, sort of like Wilco…that genre, the alternative country has really influenced me. The new record will have some undertones of that.
[JSJ] What intentional differences do you anticipate for “Works of Mercy”?
[GS] Besides sounding “fuller”…this one won’t be so infused with pop…catchy songs, you know? This one will be less pop and frankly more country. I think my writing has matured and because of that I think the songs will be a little different. As far as spirituality in the songs…everything is based in spirituality. These songs are less naked and more grown up…more of a mature Christianity, with clothes on.
[JSJ] On “Evening Treatise” there’s a song called “She says, afterlife”…where you use the phrase “Let’s throw some kindness, not just fiery darts”. Fiery darts are usually associated with Satan, yet you have an interesting way of illustrating how modern day followers of Christ use Satan’s tactics in their treatment of those around them.
[GS] I think that’s kind of the way it is…most things have an antithesis that is almost just as true. Like the opposite of love isn’t hate. The opposite of love is indifference. Or atheism isn’t atheism if you have conversations and debate about God. Atheism is atheism if you are completely indifferent about it. In myself, I see a lot of cynicism towards the Church…it’s easy for me to get cynical or skeptical and angry, bitter, and hateful towards the Church. That’s no different than the Church being angry or hateful towards someone else. It’s the same thing. People call Christians hypocrites, but the thing is everyone is a hypocrite…it’s called humanity. People tend to focus on Christianity maybe cause they're the loudest ones…Christians can be the loudest people. But, it’s all the same. It’s no different than my friends who claim to be Buddhist yet get trashed on the weekends. What kind of Buddhist gets trashed or is so attached to materialism that they wear designer clothing? No Buddhist wears designer clothing…it’s all about detachment. But, you don’t hear people screaming at them “You call yourself a Buddhist, look what you’re wearing!” Nobody does that. But, at the same time, you don’t necessarily have Buddhists on cable yelling at people for not being detached. I care about a lot of issues…things that I find important. But, I’ve come to a position that anyone who yells at people about issues is…almost in a dangerous position. There are so many examples…how to you oppose capitalistic exploitation of people yet participate in the music industry? I don’t know. It’s easy to tear people down, everyone has faults and no one is clear on every issue. But, that loudness…for one, it’s not necessarily Christ-like…but also the voice of God is found in silence. He doesn’t need pop culture to proclaim Him or any preacher to take Him and His words out of context and apply His name to every whacked out cause. I say a lot of things…some are controversial and some are cliché, but I don’t want to be considered a Christian-protest-propaganda singer.
[JSJ] Tell me a little about the song “Vinegar Children.”
[GS] Kathleen Norris has this book called “Amazing Grace” and she grew up in the same type of family I did—very strict, fundamentalist background, you know? And in a lot of ways its still taking its toll. Dealing with your family having all these perceptions about you, thinking you’re not a Christian…and if you do have a full conversation where you cover your butt and you’re like “Listen, I don’t think abortion’s okay. But, I don’t think the signs are a good idea either.” Then suddenly my family decides I’m pro-abortion, I think everybody but Christians are okay, and everything is just blown out of proportion. So, the song is just talking about how vinegar leaves such a bitter, harsh cleanliness. It sucks the flavor out of life. The first verse is about growing up in a fundamentalist home. It starts out “The vinegar children stood for truth, with their wooden backs against the pew, they knew love in the iron fist of God; Music on the radio and the devil in the T.V. show; Catholics, drugs and murder were the same. Well, someone caught him in the barn with a cigarette and a country song, I’ll be damned if that’s any son of mine.” Then in the last verse, it uses the same line but in a completely different manner. The last verse kind of shows Jesus as like a son and it’s a twist in the verse where someone caught Jesus in the barn with a cigarette and philosophy and God’s like “I’ll be damned, that’s my boy!” It’s a twist on fundamentalism. The bottom line is there is so much relief when you get down to just Christ…it’s peace. I think the freedom in Christ is that you can sit down at the end of the day and know you’re loved. I’ve had 22 years of fundamentalism engrained in my head, to the point where it’s impossible not to be scared because for all this time I’ve been taught that basically my dad has a red phone direct to God and I’m just waiting for the floor to be pulled out from under me when I screw up or let him down. And for bizarre stuff…having your hair cut wrong, or listening to the wrong music. Thinking about it now, this the most Christian of the two records…
[JSJ] But, it probably won’t be perceived that way…
[GS] Right. And there are a lot of people who listen to us that are in that fundamentalist vein. This one is a bit different…but we still want to be fair to them to, as far as taking them along with us one step at a time. I had it instilled in me that if you’re a Christian then every song has to end with hope, each one ends with “Okay…but Jesus!” you know? But this album is more of like “Look Christianity is f-d up.” I mean, “Humanity is f-d up.” People, no matter what their faith, are weird. There’s a song on the record called “The Bedlam Waltz” and it’s about how everyone is just insane. The movie “magnolia” helped me finish that song. The lyrics were down, the song was done…but after watching that I knew that was it, the song was just right. In the song, there’s this girl who just stands in the street corner yelling her name out to everybody, someone else is standing on the roof of the car and says they can see Heaven…it’s just everybody is insane. And that’s not bad. Sometimes the people we think are the craziest are the sanest. I went to this prayer meeting at my dad’s church in New Hampshire and these people were like praying for their son who is mentally disabled because his neighbor needed a car, so the son sold him his car…for a dollar. He’s done that to all of his possessions. Every time he turns around, he sees people who need things, so he just gives his away. So, these people are praying that he’ll “smarten up” so he won’t be taken advantage of. And my brother turns to me and says “How ‘bout we pray that we become more like that guy.” And that’s what I mean. People thought Mary and Joseph were insane.
[JSJ] How do you integrate your beliefs and politics into Tree by Leaf without becoming the social advocate on the soapbox?
[GS] Well, Tree By Leaf is very diverse…our politics and such. But, primarily we are concerned with treating people decently…treating people like Christ would. Some of our songs sneer at capital punishment or warmongering. There are things that we oppose through the way we operate like sweatshop labor. If a company is blatantly in-your-face about stuff like that…then there is no need to support them. I mean I own clothes. I drive a car. No matter what I do, I’m guilty of many things. And just because you are guilty of something does not mean you should try to justify it either. We try not to support those that don’t care and we try to care about people. That’s where were at. Just try.
[JSJ] Who do you feel that your audience is?
[GS] I don’t know. I think that anything acoustic, folkish…anyone who likes that kind of identifies. I didn’t think it was possible, but we’ve opened for a lot of “loud” shows where people have dug us. I think we identify with fans of like Over the Rhine or Vigilantes of Love. I think Christians are a big part of the fan base. And I like that. But, just as much, it's non-Christians. And I like that. And that’s one of our projective goals; to put on a concert where a Christian can go away saying, “Wow, I think my spirituality has matured because of this…or I have a peace…or that was a great experience.” And a non-Christian can be like “Wow, that was a good song…or it was spiritual…or I dug it.” If that can happen then it’s progressed past generic Christian pop. The absolute is Christ not Christianity. Christianity is never to be worshiped. The Bible is never to be worshiped. Christ alone. When people have that, then you see them as full human beings. No matter who you are or what you believe…when you see someone who’s a full human being, it’s winsome; you’re attracted to it. That’s evangelism.
[JSJ] One last question. Why are you making music?
[GS] Because I have to. I wrote before I ever learned to play guitar. I write. That’s what I do. I make the CD’s cause it’s like writing a book. I’d rather work in a gas station and live in a crap hole with eight other people so I could have more time. I need to write. Life isn’t about what kind of job you do and if you can make a living doing what you love that’s great. If the audience is zero, I still play the show. I’ve done it. We were at a coffeehouse and there was one lady there—the manager. She went in the back to wash dishes and we played the entire show with no audience because this is what we do and we’re fine with that. It’s not as much a gift for other people as it is a necessity for us. If you can share it with others that’s beyond great. That’s cool. That’s a conversation they didn’t have before.
###
interview circa 2001
now archived, for no particular reason
[J. Stephen Jorge] How has the sound of Tree by Leaf progressed since “Evening Treatise”?
[Garrett Soucy] Well, we let ourselves be influenced more by whom we want to be influenced by as opposed to being influenced by those we thought we should be influenced by. In a lot of ways, lyrically I’ve sprung on this new freedom…just letting myself write without the fear of venues, like Christian venues. And it’s better for me; I’m a healthier person. We’ve been influenced a lot by what I guess would be called “indie rock” and also country music. Sort of a cross section between Pedro the Lion and like Johnny Cash, people like that. There’s this band called Whisky Town that’s just this swinging country band, sort of like Wilco…that genre, the alternative country has really influenced me. The new record will have some undertones of that.
[JSJ] What intentional differences do you anticipate for “Works of Mercy”?
[GS] Besides sounding “fuller”…this one won’t be so infused with pop…catchy songs, you know? This one will be less pop and frankly more country. I think my writing has matured and because of that I think the songs will be a little different. As far as spirituality in the songs…everything is based in spirituality. These songs are less naked and more grown up…more of a mature Christianity, with clothes on.
[JSJ] On “Evening Treatise” there’s a song called “She says, afterlife”…where you use the phrase “Let’s throw some kindness, not just fiery darts”. Fiery darts are usually associated with Satan, yet you have an interesting way of illustrating how modern day followers of Christ use Satan’s tactics in their treatment of those around them.
[GS] I think that’s kind of the way it is…most things have an antithesis that is almost just as true. Like the opposite of love isn’t hate. The opposite of love is indifference. Or atheism isn’t atheism if you have conversations and debate about God. Atheism is atheism if you are completely indifferent about it. In myself, I see a lot of cynicism towards the Church…it’s easy for me to get cynical or skeptical and angry, bitter, and hateful towards the Church. That’s no different than the Church being angry or hateful towards someone else. It’s the same thing. People call Christians hypocrites, but the thing is everyone is a hypocrite…it’s called humanity. People tend to focus on Christianity maybe cause they're the loudest ones…Christians can be the loudest people. But, it’s all the same. It’s no different than my friends who claim to be Buddhist yet get trashed on the weekends. What kind of Buddhist gets trashed or is so attached to materialism that they wear designer clothing? No Buddhist wears designer clothing…it’s all about detachment. But, you don’t hear people screaming at them “You call yourself a Buddhist, look what you’re wearing!” Nobody does that. But, at the same time, you don’t necessarily have Buddhists on cable yelling at people for not being detached. I care about a lot of issues…things that I find important. But, I’ve come to a position that anyone who yells at people about issues is…almost in a dangerous position. There are so many examples…how to you oppose capitalistic exploitation of people yet participate in the music industry? I don’t know. It’s easy to tear people down, everyone has faults and no one is clear on every issue. But, that loudness…for one, it’s not necessarily Christ-like…but also the voice of God is found in silence. He doesn’t need pop culture to proclaim Him or any preacher to take Him and His words out of context and apply His name to every whacked out cause. I say a lot of things…some are controversial and some are cliché, but I don’t want to be considered a Christian-protest-propaganda singer.
[JSJ] Tell me a little about the song “Vinegar Children.”
[GS] Kathleen Norris has this book called “Amazing Grace” and she grew up in the same type of family I did—very strict, fundamentalist background, you know? And in a lot of ways its still taking its toll. Dealing with your family having all these perceptions about you, thinking you’re not a Christian…and if you do have a full conversation where you cover your butt and you’re like “Listen, I don’t think abortion’s okay. But, I don’t think the signs are a good idea either.” Then suddenly my family decides I’m pro-abortion, I think everybody but Christians are okay, and everything is just blown out of proportion. So, the song is just talking about how vinegar leaves such a bitter, harsh cleanliness. It sucks the flavor out of life. The first verse is about growing up in a fundamentalist home. It starts out “The vinegar children stood for truth, with their wooden backs against the pew, they knew love in the iron fist of God; Music on the radio and the devil in the T.V. show; Catholics, drugs and murder were the same. Well, someone caught him in the barn with a cigarette and a country song, I’ll be damned if that’s any son of mine.” Then in the last verse, it uses the same line but in a completely different manner. The last verse kind of shows Jesus as like a son and it’s a twist in the verse where someone caught Jesus in the barn with a cigarette and philosophy and God’s like “I’ll be damned, that’s my boy!” It’s a twist on fundamentalism. The bottom line is there is so much relief when you get down to just Christ…it’s peace. I think the freedom in Christ is that you can sit down at the end of the day and know you’re loved. I’ve had 22 years of fundamentalism engrained in my head, to the point where it’s impossible not to be scared because for all this time I’ve been taught that basically my dad has a red phone direct to God and I’m just waiting for the floor to be pulled out from under me when I screw up or let him down. And for bizarre stuff…having your hair cut wrong, or listening to the wrong music. Thinking about it now, this the most Christian of the two records…
[JSJ] But, it probably won’t be perceived that way…
[GS] Right. And there are a lot of people who listen to us that are in that fundamentalist vein. This one is a bit different…but we still want to be fair to them to, as far as taking them along with us one step at a time. I had it instilled in me that if you’re a Christian then every song has to end with hope, each one ends with “Okay…but Jesus!” you know? But this album is more of like “Look Christianity is f-d up.” I mean, “Humanity is f-d up.” People, no matter what their faith, are weird. There’s a song on the record called “The Bedlam Waltz” and it’s about how everyone is just insane. The movie “magnolia” helped me finish that song. The lyrics were down, the song was done…but after watching that I knew that was it, the song was just right. In the song, there’s this girl who just stands in the street corner yelling her name out to everybody, someone else is standing on the roof of the car and says they can see Heaven…it’s just everybody is insane. And that’s not bad. Sometimes the people we think are the craziest are the sanest. I went to this prayer meeting at my dad’s church in New Hampshire and these people were like praying for their son who is mentally disabled because his neighbor needed a car, so the son sold him his car…for a dollar. He’s done that to all of his possessions. Every time he turns around, he sees people who need things, so he just gives his away. So, these people are praying that he’ll “smarten up” so he won’t be taken advantage of. And my brother turns to me and says “How ‘bout we pray that we become more like that guy.” And that’s what I mean. People thought Mary and Joseph were insane.
[JSJ] How do you integrate your beliefs and politics into Tree by Leaf without becoming the social advocate on the soapbox?
[GS] Well, Tree By Leaf is very diverse…our politics and such. But, primarily we are concerned with treating people decently…treating people like Christ would. Some of our songs sneer at capital punishment or warmongering. There are things that we oppose through the way we operate like sweatshop labor. If a company is blatantly in-your-face about stuff like that…then there is no need to support them. I mean I own clothes. I drive a car. No matter what I do, I’m guilty of many things. And just because you are guilty of something does not mean you should try to justify it either. We try not to support those that don’t care and we try to care about people. That’s where were at. Just try.
[JSJ] Who do you feel that your audience is?
[GS] I don’t know. I think that anything acoustic, folkish…anyone who likes that kind of identifies. I didn’t think it was possible, but we’ve opened for a lot of “loud” shows where people have dug us. I think we identify with fans of like Over the Rhine or Vigilantes of Love. I think Christians are a big part of the fan base. And I like that. But, just as much, it's non-Christians. And I like that. And that’s one of our projective goals; to put on a concert where a Christian can go away saying, “Wow, I think my spirituality has matured because of this…or I have a peace…or that was a great experience.” And a non-Christian can be like “Wow, that was a good song…or it was spiritual…or I dug it.” If that can happen then it’s progressed past generic Christian pop. The absolute is Christ not Christianity. Christianity is never to be worshiped. The Bible is never to be worshiped. Christ alone. When people have that, then you see them as full human beings. No matter who you are or what you believe…when you see someone who’s a full human being, it’s winsome; you’re attracted to it. That’s evangelism.
[JSJ] One last question. Why are you making music?
[GS] Because I have to. I wrote before I ever learned to play guitar. I write. That’s what I do. I make the CD’s cause it’s like writing a book. I’d rather work in a gas station and live in a crap hole with eight other people so I could have more time. I need to write. Life isn’t about what kind of job you do and if you can make a living doing what you love that’s great. If the audience is zero, I still play the show. I’ve done it. We were at a coffeehouse and there was one lady there—the manager. She went in the back to wash dishes and we played the entire show with no audience because this is what we do and we’re fine with that. It’s not as much a gift for other people as it is a necessity for us. If you can share it with others that’s beyond great. That’s cool. That’s a conversation they didn’t have before.
###
Monday, May 28, 2007
Wednesday, April 18, 2007
Friday, April 06, 2007
That for which I am a sucker.
A) Live Music & Theatre (yet, notsomuch alongside one another...)
B) Females Singing/Shouting overtop noisy chord changes
C) My lovely wife's smile
D) Failure's persistent grip
E) All of the above
You are not alone,
J. Stephen Jorge
B) Females Singing/Shouting overtop noisy chord changes
C) My lovely wife's smile
D) Failure's persistent grip
E) All of the above
You are not alone,
J. Stephen Jorge
Wednesday, March 28, 2007
Friday, March 02, 2007
Thursday, March 01, 2007
"Kiss" @ Chelsea Art Museum, NYC
As 2007 opened its eyes, Elisabeth Madison (our very own artist-in-residence, donchaknow) finished two new paintings! "Kiss" and "Loss" continue her brilliant study of triangles and the portraits they can form. This is great news and (in my opinion) a fine way to start the year. But, that's not all folks...
"Kiss" has been booked for the Avant Grande gallery at the famous Chelsea Art Museum in New York City!
For these pieces, Madi's working under her lovely pen-name "Maria Karvonen"; so "Maria" and I will be attending the gala and YOU are invited to join us.
What could be better than an evening exploring new art, chatting with your comrades and enjoying beverages compliments of Starbucks Liqueurs and Long Island's Blue Pointe Brewing Company?
The festive opening is scheduled for Thursday, March 1st from 7-11 p.m. Tickets are $20 at the door and 100% of the ticket sales will benefit Rush Philanthropic Arts Foundation.
"Kiss" will be available for purchase at the opening and will remain in public exhibit at the Chelsea Art Museum March 2nd and 3rd from noon until 6 p.m. at a $6 admission price. Don't miss the fun!
You are not alone,
J. Stephen Jorge
Chelsea Art Museum is located at 556 West 22nd Street.
RELATED LINKS
www.chelseaartmuseum.org
www.avantgrande.com/ny
www.rushphilanthropic.org
Maria Karvonen's paintings
"Kiss" has been booked for the Avant Grande gallery at the famous Chelsea Art Museum in New York City!
For these pieces, Madi's working under her lovely pen-name "Maria Karvonen"; so "Maria" and I will be attending the gala and YOU are invited to join us.
What could be better than an evening exploring new art, chatting with your comrades and enjoying beverages compliments of Starbucks Liqueurs and Long Island's Blue Pointe Brewing Company?
The festive opening is scheduled for Thursday, March 1st from 7-11 p.m. Tickets are $20 at the door and 100% of the ticket sales will benefit Rush Philanthropic Arts Foundation.
"Kiss" will be available for purchase at the opening and will remain in public exhibit at the Chelsea Art Museum March 2nd and 3rd from noon until 6 p.m. at a $6 admission price. Don't miss the fun!
You are not alone,
J. Stephen Jorge
Chelsea Art Museum is located at 556 West 22nd Street.
RELATED LINKS
www.chelseaartmuseum.org
www.avantgrande.com/ny
www.rushphilanthropic.org
Maria Karvonen's paintings
Wednesday, February 28, 2007
Friday, February 09, 2007
Magic & Art: one and the same?
I mentioned Alan Moore a few days ago and moments later discovered this extended interview between the shaggy haired "Shakespeare of comic books" and Alex Fitch of I'M READY FOR MY CLOSEUP. Here are the direct links to all three parts, in mp3 format:
Part One
Part Two
Part Three
If you enjoy (or are terrified by) the opinions and anecdotes, feel free to lend your support to the British station Resonance FM as they're looking for all the help the can get to stay on the air.
You are not alone,
J. Stephen Jorge
Part One
Part Two
Part Three
If you enjoy (or are terrified by) the opinions and anecdotes, feel free to lend your support to the British station Resonance FM as they're looking for all the help the can get to stay on the air.
You are not alone,
J. Stephen Jorge
Thursday, February 08, 2007
Wednesday, February 07, 2007
OF THE BLACK & THE BLUE
That's the title of the fourth Tree by Leaf album. The band's latest - THERE IS A VINE - is now available on iTunes. It's well worth buying. Oh, and if you're in Philly on Friday night (2/9) or Boston on Saturday (2/10), you can catch these honest souls live and in concert!
So, I nicked the album title because it makes for an appropriate heading to this post and I'm just too plain lazy to jingle something up; why re-design the wheel and all that rot, right? Right. Well, we've got us some Good and, yes; we have got a little bit of the Bad.
Let us begin with the unfortunate:
Last night, I received an e-mail from LuLu (printer and distributor of SONS & DAUGHTERS, the Awake Awake EP a. and the late-but-soon-coming TO THE CITY hardcover). The notice detailed a price change effective immediately for all softcover books using their global distribution system via "Books-in-Print." Now...we use this system. It's the avenue by which you can purchase SONS & DAUGHTERS through Amazon.com or Barnes & Noble or by special order at your favorite local bookstore, etcetera, etcetera.
Up until now, the suggested retail price for SONS & DAUGHTERS has been $7.99 -- and that part's not going to change.
But...
From the day of its release up until, well...yesterday(!) one could choose to order a copy directly from our printer (LuLu.com) for only $6.99.
That, my friend, is no longer quite the case.
Oh, you can still get yours through LuLu; but now, I'm afraid, it will cost you the full $7.99. We've been told that the original price difference was "too confusing" to retailers and LuLu has decided to make their storefront uniform with the suggested retail price.
So, yes... We've now had our first price-hike here at lil' ol' YellowHouseFiction. Sorry. Please forgive us, for we know not what we do.
In lighter news and in a shade of blue, some goodness:
I bring you some insight from autobiographical cartoonist Eddie Campbell. Now, he's the bloke who illustrated the mammoth comic book FROM HELL, literally detailing the story of Jack the Ripper as told by Alan Moore and later butchered by the Hughes' Brothers despite an earnest performance from Johnny Depp. You can see some of Eddie Campbell's hilarious sketches in the photo section of the SPIRITS IN BONDAGE myspace profile.
& now, the quote...
"Telling stories is often just about revealing the connections between things that nobody else noticed."
Right. It's like weaving over and under a loom or mixing a pancake batter or shaking up a box of moon rocks. Sometimes, it's even like making a proper Appletini. That's the invisible craft.
I hope you'll join us for more merriment in storytelling. Now, go see what relates and realize something new!
You are not alone,
J. Stephen Jorge
So, I nicked the album title because it makes for an appropriate heading to this post and I'm just too plain lazy to jingle something up; why re-design the wheel and all that rot, right? Right. Well, we've got us some Good and, yes; we have got a little bit of the Bad.
Let us begin with the unfortunate:
Last night, I received an e-mail from LuLu (printer and distributor of SONS & DAUGHTERS, the Awake Awake EP a. and the late-but-soon-coming TO THE CITY hardcover). The notice detailed a price change effective immediately for all softcover books using their global distribution system via "Books-in-Print." Now...we use this system. It's the avenue by which you can purchase SONS & DAUGHTERS through Amazon.com or Barnes & Noble or by special order at your favorite local bookstore, etcetera, etcetera.
Up until now, the suggested retail price for SONS & DAUGHTERS has been $7.99 -- and that part's not going to change.
But...
From the day of its release up until, well...yesterday(!) one could choose to order a copy directly from our printer (LuLu.com) for only $6.99.
That, my friend, is no longer quite the case.
Oh, you can still get yours through LuLu; but now, I'm afraid, it will cost you the full $7.99. We've been told that the original price difference was "too confusing" to retailers and LuLu has decided to make their storefront uniform with the suggested retail price.
So, yes... We've now had our first price-hike here at lil' ol' YellowHouseFiction. Sorry. Please forgive us, for we know not what we do.
In lighter news and in a shade of blue, some goodness:
I bring you some insight from autobiographical cartoonist Eddie Campbell. Now, he's the bloke who illustrated the mammoth comic book FROM HELL, literally detailing the story of Jack the Ripper as told by Alan Moore and later butchered by the Hughes' Brothers despite an earnest performance from Johnny Depp. You can see some of Eddie Campbell's hilarious sketches in the photo section of the SPIRITS IN BONDAGE myspace profile.
& now, the quote...
"Telling stories is often just about revealing the connections between things that nobody else noticed."
Right. It's like weaving over and under a loom or mixing a pancake batter or shaking up a box of moon rocks. Sometimes, it's even like making a proper Appletini. That's the invisible craft.
I hope you'll join us for more merriment in storytelling. Now, go see what relates and realize something new!
You are not alone,
J. Stephen Jorge
Friday, February 02, 2007
Thursday, February 01, 2007
Saturday, January 20, 2007
Friday, January 12, 2007
Thursday, January 11, 2007
Steve White is one wild and crazy guy.
(copied from the Awake Awake front-man's LiveJournal: renducomplet)
So... life. Craaaazy, I tell ya. But not as crazy as this:
Saturday, January, 13 2007 @ Starbucks Coffee
2223 N West Shore Blvd
Tampa, Florida 33601
Cost : Free
With Bobby James & more.
###
This is the same Baystreet Starbucks where we held the book party for SONS & DAUGHTERS last spring. It's right across from Cheesecake Factory and Blue Martini above Tampa's International Plaza.
(JSJ)
So... life. Craaaazy, I tell ya. But not as crazy as this:
Saturday, January, 13 2007 @ Starbucks Coffee
2223 N West Shore Blvd
Tampa, Florida 33601
Cost : Free
With Bobby James & more.
###
This is the same Baystreet Starbucks where we held the book party for SONS & DAUGHTERS last spring. It's right across from Cheesecake Factory and Blue Martini above Tampa's International Plaza.
(JSJ)
Tuesday, January 02, 2007
Saturday, December 30, 2006
Monday, December 25, 2006
Xmas Joy
CHRISTMAS CAME WITH THUNDER by Judy Barrett
Some people dream of Christmas snow,
With joyful church bells ringing,
Lighted boughs of evergreen,
Choirs, and carol singing.
Children wait for good Saint Nick
There eyes all round with wonder,
This year Santa rode the storm,
Christmas came with thunder.
The Wise magicians from the east,
Knew stars and constellations,
They brought three rare and costly gifts,
To the king of all the nations.
Always guided by the star,
That never let them wander,
This year, when the heavens spoke,
Christmas came with thunder.
Christ was born in Bethlehem,
While angels sang in heaven,
In time he grew to speak the word
That God himself had given.
The word of love that will not fail,
Even when we blunder,
The message rumbled through the sky,
When Christmas came with thunder.
###
I received this in my e-mail today. It's quite a holiday surprise and well-worth sharing with you. "God bless us, every one."
You are not alone,
J. Stephen Jorge
Some people dream of Christmas snow,
With joyful church bells ringing,
Lighted boughs of evergreen,
Choirs, and carol singing.
Children wait for good Saint Nick
There eyes all round with wonder,
This year Santa rode the storm,
Christmas came with thunder.
The Wise magicians from the east,
Knew stars and constellations,
They brought three rare and costly gifts,
To the king of all the nations.
Always guided by the star,
That never let them wander,
This year, when the heavens spoke,
Christmas came with thunder.
Christ was born in Bethlehem,
While angels sang in heaven,
In time he grew to speak the word
That God himself had given.
The word of love that will not fail,
Even when we blunder,
The message rumbled through the sky,
When Christmas came with thunder.
###
I received this in my e-mail today. It's quite a holiday surprise and well-worth sharing with you. "God bless us, every one."
You are not alone,
J. Stephen Jorge
Friday, December 22, 2006
Monday, December 18, 2006
LYING LIVE - Table of Contents
free fictions in micro by J. Stephen Jorge (written for a friend/maybe you)
LYING LIVE "Volume One"
0. The Last Lime-Lit War Story [intro]
1. That Worthless Parker Brothers Card [for Carolyn Elizabeth]
2. To Gamble a Gain [for Jessica Ann]
3. Version 1440 (The One That Finally Worked) [for Lucas Giles]
4. The Dutchman [for Madi]
5. Off Off Off [for Robyn, the Mermaid]
6. Economics in Blah Blah Blah [for Brian Hill]
7. You Take the Six [for Steve White]
8. One for the Other [for Liz Fizz]
9. Metascribe [for David C. Baker]
10. Ear Popping [for Mike Mack]
11. Truth Be Found [for Christina Ravdas]
12. Silence [for Jonathan Kelley]
13. Win the Hearts and Minds [for Lisa Fiorisi]
14. My New Lush [for Doctor Brian]
15. Impossible Expectations [for Grace Adamson]
16. Dusted [for J.D. Larson]
17. As a Peacock [for Shaun Chauta]
18. Ye Olde Corporate Shoppe [for Amy, the Destroyer]
19. You’re Turning Green [for Ash D. Parker]
20. FDA Approved [for Marcos Hernandez]
21. So Very Pedestrian [for Sara Joy]
22. Devotional [for Jessica Alexander]
23. Bad Language [for Nate Goss]
24. Speaking with Your Eyes Closed [for Tori Bennett]
25. All Press [for Flash Johnson]
26. On the Cover of [for Mika Karvonen]
27. Save Our Shores [for Yahoo]
28. Man Made Love [for Dave Furry]
29. Leaving So Soon [for Sarah Silva]
30. Little Killer [for Dani Karvonen]
31. Blue Collar [for Matt Russell]
32. Green Card [for Carl von dem Bussche]
33. Sizing Up the Job [for Good Times]
34. This is Living [for Loanne Procopio]
35. A Peaceful Evening [for Ja!me]
36. Happy Three Days a Year [for Gibson Thorn]
37. Succession Election - Lefty Loosey [for Melissa Love]
38. Succession Election - Libertine [for Garrett Soucy]
39. Succession Election - Blue Partier [for Marion Greene]
40. Succession Election - Western Mod [for Jason Procopio]
41. Succession Election - Eastern Mod [for Caity Abadene-Manning]
42. Succession Election - Red Partier [for Sabine Balshazzar]
43. Succession Election - Conservator [for Naomi]
44. Succession Election - Righty Tighty [for Batthius Manning]
45. New Kick/Old Gods - The Story [for Raphael Quinones, Jr.]
46. New Kick/Old Gods - The Madonna [for Amber C. Snider]
47. New Kick/Old Gods - The Role Model [for Dahlia Legault]
48. New Kick/Old Gods - The Practitioner [for Mike Smith]
49. New Kick/Old Gods - The Family [for Stacy Rodriguez]
50. New Kick/Old Gods - The Paparazzi [for Jessica Baxter]
51. New Kick/Old Gods - The Powerful [for Christopher Dominic]
52. New Kick/Old Gods - The Shield [for Dina Alcin]
53. New Kick/Old Gods - The Destitute [for Curtis Belz]
54. New Kick/Old Gods - The Author [for John Bueno, Jr.]
55. Canonizing the Meme of You [outro]
LYING LIVE "The Ides EP"
56. Flying Virgin [for Wes Grimes]
57. The Cycle of Hate [for Gwen & Mia]
58. Eva Vroome Says Goodbye [for Kevin Govin]
59. Games [for Garrett Smiley]
60. Math vs. Me (A Prayer) [for Greggo]
61. The Black Hole [for Shaney]
62. Eva Vroome is a Twin [for Brooke Daye]
63. Not Exactly as Planned [for Dev Karvonen]
64. They'll Trade It [for Dan Khoury]
65. Eva Vroome Built CBGB's [for Ana Briancesco]
66. The Tired Comeback [for Jason Sowell]
67. The Root [for Jarrett Hoss]
68. Eva Vroome's Library Run [for Melody Seoane]
69. Scrub Them Good [for Mark Missona]
70. Eva Vroome Gives Warning [for Matt Chauta]
LYING LIVE "a special issue"
71. Careful Mr. Windswept [for our friends & family]
LYING LIVE "an echo"
72. Trust me. I'm your barista. [for Lou Cuba, my grandpa]
LYING LIVE "Volume One"
0. The Last Lime-Lit War Story [intro]
1. That Worthless Parker Brothers Card [for Carolyn Elizabeth]
2. To Gamble a Gain [for Jessica Ann]
3. Version 1440 (The One That Finally Worked) [for Lucas Giles]
4. The Dutchman [for Madi]
5. Off Off Off [for Robyn, the Mermaid]
6. Economics in Blah Blah Blah [for Brian Hill]
7. You Take the Six [for Steve White]
8. One for the Other [for Liz Fizz]
9. Metascribe [for David C. Baker]
10. Ear Popping [for Mike Mack]
11. Truth Be Found [for Christina Ravdas]
12. Silence [for Jonathan Kelley]
13. Win the Hearts and Minds [for Lisa Fiorisi]
14. My New Lush [for Doctor Brian]
15. Impossible Expectations [for Grace Adamson]
16. Dusted [for J.D. Larson]
17. As a Peacock [for Shaun Chauta]
18. Ye Olde Corporate Shoppe [for Amy, the Destroyer]
19. You’re Turning Green [for Ash D. Parker]
20. FDA Approved [for Marcos Hernandez]
21. So Very Pedestrian [for Sara Joy]
22. Devotional [for Jessica Alexander]
23. Bad Language [for Nate Goss]
24. Speaking with Your Eyes Closed [for Tori Bennett]
25. All Press [for Flash Johnson]
26. On the Cover of [for Mika Karvonen]
27. Save Our Shores [for Yahoo]
28. Man Made Love [for Dave Furry]
29. Leaving So Soon [for Sarah Silva]
30. Little Killer [for Dani Karvonen]
31. Blue Collar [for Matt Russell]
32. Green Card [for Carl von dem Bussche]
33. Sizing Up the Job [for Good Times]
34. This is Living [for Loanne Procopio]
35. A Peaceful Evening [for Ja!me]
36. Happy Three Days a Year [for Gibson Thorn]
37. Succession Election - Lefty Loosey [for Melissa Love]
38. Succession Election - Libertine [for Garrett Soucy]
39. Succession Election - Blue Partier [for Marion Greene]
40. Succession Election - Western Mod [for Jason Procopio]
41. Succession Election - Eastern Mod [for Caity Abadene-Manning]
42. Succession Election - Red Partier [for Sabine Balshazzar]
43. Succession Election - Conservator [for Naomi]
44. Succession Election - Righty Tighty [for Batthius Manning]
45. New Kick/Old Gods - The Story [for Raphael Quinones, Jr.]
46. New Kick/Old Gods - The Madonna [for Amber C. Snider]
47. New Kick/Old Gods - The Role Model [for Dahlia Legault]
48. New Kick/Old Gods - The Practitioner [for Mike Smith]
49. New Kick/Old Gods - The Family [for Stacy Rodriguez]
50. New Kick/Old Gods - The Paparazzi [for Jessica Baxter]
51. New Kick/Old Gods - The Powerful [for Christopher Dominic]
52. New Kick/Old Gods - The Shield [for Dina Alcin]
53. New Kick/Old Gods - The Destitute [for Curtis Belz]
54. New Kick/Old Gods - The Author [for John Bueno, Jr.]
55. Canonizing the Meme of You [outro]
LYING LIVE "The Ides EP"
56. Flying Virgin [for Wes Grimes]
57. The Cycle of Hate [for Gwen & Mia]
58. Eva Vroome Says Goodbye [for Kevin Govin]
59. Games [for Garrett Smiley]
60. Math vs. Me (A Prayer) [for Greggo]
61. The Black Hole [for Shaney]
62. Eva Vroome is a Twin [for Brooke Daye]
63. Not Exactly as Planned [for Dev Karvonen]
64. They'll Trade It [for Dan Khoury]
65. Eva Vroome Built CBGB's [for Ana Briancesco]
66. The Tired Comeback [for Jason Sowell]
67. The Root [for Jarrett Hoss]
68. Eva Vroome's Library Run [for Melody Seoane]
69. Scrub Them Good [for Mark Missona]
70. Eva Vroome Gives Warning [for Matt Chauta]
LYING LIVE "a special issue"
71. Careful Mr. Windswept [for our friends & family]
LYING LIVE "an echo"
72. Trust me. I'm your barista. [for Lou Cuba, my grandpa]
Thursday, December 07, 2006
Sunday, December 03, 2006
Alone in Song
New Yorkers love to sing. They sing Christmas carols (off-key) while walking down Lexington Av. They bob heads between iPod buds and and train doors closing, all the while shouting the words that only they can hear. They sing into cell phones, the most inappropriate conversations at the most inopportune moments. They sing to be heard. They sing to remain invisible. They sing for a cab. They sing for me.
You are not alone,
J. Stephen Jorge
You are not alone,
J. Stephen Jorge
Friday, December 01, 2006
Tuesday, November 28, 2006
a full YHF in NYC update
***item one***
It dipped into the rainy 40's last week, but suddenly we have a lovely 50-60 degree late November. We're hanging tight, enjoying it while we can. The cold is a-coming...
***item two***
SONS & DAUGHTERS - An Ambient Fiction Album
ISBN 1-4116-4881-1
communist meetings, foreign languages, ex-boyfriends.
a stage play, two previews, naughty naughty sketches.
superheroes, made-up memoirs, imaginary bands.
dementia, guatemala antigua, starting all over.
mercy killings, nasty breakups, poetic vices.
rock stars, true love, good new friends.
betrayal, bridesmaids, field trips.
jesus, pms, working-a-double.
15 new authors slinging old stories ~ Beautiful Softcover
$6.99 plus shipping EDIT: now priced at $7, 99
Garrett Soucy, Jason Procopio, Elisabeth Madison,
Jonathan Kelley, Sabine Balshazzar, Marion Greene,
Melissa Love, Caity Abadene-Manning, Brian Hill,
Lucas Giles, Naomi, Batthius Manning,
J.D. Larson, Daphne Higgenbotham
and J. Stephen Jorge.
www.lulu.com/yhfiction
***item three***
Thanks to Ellipsis, we now have YellowHouseFiction Tea Shirts available for you to sport before all your friends and enemies. You can customize them to order: sizes, colors & styles!
We have 6 designs released with more to follow.
www.zazzle.com/yellowhousefiction
My personal fave is the "Mr. Cinnamon's Wake" Tea Shirt.
***item four***
www.lulu.com/awakeawake
Did you catch Steve & the band at Skipper's? Have you picked up their first EP?
a.
4 golden songs
$7 plus shipping
Sample them. Tell me "In Need" doesn't make you weep and take one last claw at hope!
www.myspace.com/awakeawakemusic
***item five***
SPIRITS IN BONDAGE returns from a holiday break this Sunday, December 3rd, with "Spooks."
The early work of C.S. Lewis. Bastardized by yours truly. Weekly.
www.myspace.com/spiritsinbondage
***item six***
LYING LIVE (my series of fictions in micro) will NOT be returning for quite some time. Volume Two was set to debut last month and was delayed for an indefinite length. Now, it's definite. You won't see it arrive until the end of SPIRITS IN BONDAGE. Just thought I'd let the Debi & Steve know... ;)
Volume One & The Ides EP can be found here.
***item seven***
The next Book & CD from YHF will knock your socks off. Trust me. I'm in the know.
& I think those of you who invested (in us and) in our "zero issue" hardcover coffee table book, WE'RE GOIN' TO THE CITY, are going to be very happy when you (finally) see the finished slab.
You are not alone,
J. Stephen Jorge
It dipped into the rainy 40's last week, but suddenly we have a lovely 50-60 degree late November. We're hanging tight, enjoying it while we can. The cold is a-coming...
***item two***
SONS & DAUGHTERS - An Ambient Fiction Album
ISBN 1-4116-4881-1
communist meetings, foreign languages, ex-boyfriends.
a stage play, two previews, naughty naughty sketches.
superheroes, made-up memoirs, imaginary bands.
dementia, guatemala antigua, starting all over.
mercy killings, nasty breakups, poetic vices.
rock stars, true love, good new friends.
betrayal, bridesmaids, field trips.
jesus, pms, working-a-double.
15 new authors slinging old stories ~ Beautiful Softcover
$6.99 plus shipping EDIT: now priced at $7, 99
Garrett Soucy, Jason Procopio, Elisabeth Madison,
Jonathan Kelley, Sabine Balshazzar, Marion Greene,
Melissa Love, Caity Abadene-Manning, Brian Hill,
Lucas Giles, Naomi, Batthius Manning,
J.D. Larson, Daphne Higgenbotham
and J. Stephen Jorge.
www.lulu.com/yhfiction
***item three***
Thanks to Ellipsis, we now have YellowHouseFiction Tea Shirts available for you to sport before all your friends and enemies. You can customize them to order: sizes, colors & styles!
We have 6 designs released with more to follow.
www.zazzle.com/yellowhousefiction
My personal fave is the "Mr. Cinnamon's Wake" Tea Shirt.
***item four***
www.lulu.com/awakeawake
Did you catch Steve & the band at Skipper's? Have you picked up their first EP?
a.
4 golden songs
$7 plus shipping
Sample them. Tell me "In Need" doesn't make you weep and take one last claw at hope!
www.myspace.com/awakeawakemusic
***item five***
SPIRITS IN BONDAGE returns from a holiday break this Sunday, December 3rd, with "Spooks."
The early work of C.S. Lewis. Bastardized by yours truly. Weekly.
www.myspace.com/spiritsinbondage
***item six***
LYING LIVE (my series of fictions in micro) will NOT be returning for quite some time. Volume Two was set to debut last month and was delayed for an indefinite length. Now, it's definite. You won't see it arrive until the end of SPIRITS IN BONDAGE. Just thought I'd let the Debi & Steve know... ;)
Volume One & The Ides EP can be found here.
***item seven***
The next Book & CD from YHF will knock your socks off. Trust me. I'm in the know.
& I think those of you who invested (in us and) in our "zero issue" hardcover coffee table book, WE'RE GOIN' TO THE CITY, are going to be very happy when you (finally) see the finished slab.
You are not alone,
J. Stephen Jorge
Sunday, November 19, 2006
Awake Awake LIVE @ Skipper's Smokehouse in Tampa on Sunday, November 26th for a concert to benefit the homeless. They play at 3 p.m.
(JSJ)
From the late Yellow Class Reader forum (at MySpace)
Earlier this evening, I stumbled into a gallery opening just up the road from my apartment. The exhibit was lined with over 100 prints, paintings and etchings from an elderly artist named A.R. Hochberg. They dubbed it "A Retrospective of a Printmaker's Life, " they being whoever is in charge at the RIVAA Gallery...they were very welcoming and invited me in for wine and cheese ("or beer and cheese or soda and cheese or whatever, whatever, just come in young one") So, there I am, exploring a lifetime of one woman's craft, being moved by the sheer amount of effort, the skill and the evident joy she uncovered in each subject be it still life, nudes or craftsmen such a tailers and cider-makers hard at work. I was staring at a tiny print -- which you can see here as they used it for the postcard adverts at the door -- one of the gents who welcomed me in asked if I'd like to meet the artist and pointed me in the direction of a skinny, stringy-haired waif holding court on the other side of the cozy gallery. I walked over and introduced myself, thanking her for her work and pointing out a few of the pieces which I enjoyed the most, only to be chuckled at and re-directed to an even older lady sitting a few feet away next to (what was obviously) her walker. I smiled and stepped over to A.R. Hochberg and began to repeat my spiel when the man sitting beside her said, "No, no, no, she'll never here you like that! Speak up, if you want her to understand you. She's hard of hearing, son." So, now a third time and with gusto. She smiled and thanked me and I walked away quickly. The exhibit lasts a month and two or three pieces just stunned me. But, there was nothing in that room quite like "Dreaming Girl." Oh my, it's riveting. Go give it a lingering stare.
You are not alone,
J. Stephen Jorge
You are not alone,
J. Stephen Jorge
Saturday, November 11, 2006
Wednesday, November 08, 2006
Goodbye Cruel & Lovely World
Amigos,
As many of you know, my bride and I are about to celebrate 10 splendid years as a couple. (For those with wagers, that's 7 -- count 'em -- seven years of matrimony. Yes, yes, we were/are young. Young and in love.) To celebrate, we're going to do what any starving artist couple in New York City would do: we're going to explore our new home! This means I will be even more difficult to get in contact with for the next few days. In fact, I'll be impossible to reach.
But, you can't say I've left you empty handed. How 'bout some parting gifts?
1) There's a brand new Eye Land Beast over here.
2) & I finally uploaded a new reel from Spirits in Bondage (by Mr. Lewis, of course.)
3) Plus, for those of you either elated or deflated by this week's election results, I'd like to direct your eyes to one of my LYING LIVE micro-fictions. It's a serial called "Succession Election" and (loser that I am) I wrote it to be read backwards or forwards depending on the angle of your lean.
Part 1/8
Part 2/7
Part 3/6
Part 4/5
Part 5/4
Part 6/3
Part 7/2
Part 8/1
4) Finally, there's the important stuff! a. by Awake Awake & the ambient fiction album SONS & DAUGHTERS are both waiting for you, holding their collective breath. So, hop to!
If I owe you material, notes, dialogue, books, money, messages or any other immaculate nonsense, look for me this weekend. Thanks for the kind wishes and never ending encouragement. We'll chat after a few days of unplugged bliss in the City. Adios. Until we meet again...
You are not alone,
J. Stephen Jorge
As many of you know, my bride and I are about to celebrate 10 splendid years as a couple. (For those with wagers, that's 7 -- count 'em -- seven years of matrimony. Yes, yes, we were/are young. Young and in love.) To celebrate, we're going to do what any starving artist couple in New York City would do: we're going to explore our new home! This means I will be even more difficult to get in contact with for the next few days. In fact, I'll be impossible to reach.
But, you can't say I've left you empty handed. How 'bout some parting gifts?
1) There's a brand new Eye Land Beast over here.
2) & I finally uploaded a new reel from Spirits in Bondage (by Mr. Lewis, of course.)
3) Plus, for those of you either elated or deflated by this week's election results, I'd like to direct your eyes to one of my LYING LIVE micro-fictions. It's a serial called "Succession Election" and (loser that I am) I wrote it to be read backwards or forwards depending on the angle of your lean.
Part 1/8
Part 2/7
Part 3/6
Part 4/5
Part 5/4
Part 6/3
Part 7/2
Part 8/1
4) Finally, there's the important stuff! a. by Awake Awake & the ambient fiction album SONS & DAUGHTERS are both waiting for you, holding their collective breath. So, hop to!
If I owe you material, notes, dialogue, books, money, messages or any other immaculate nonsense, look for me this weekend. Thanks for the kind wishes and never ending encouragement. We'll chat after a few days of unplugged bliss in the City. Adios. Until we meet again...
You are not alone,
J. Stephen Jorge
Tuesday, October 31, 2006
Daylight Savings Editing?
Okay, so WE'RE GOIN' TO THE CITY was supposed to ship by now. It hasn't. Why? That's a very good question. Simple answer: I'm still not finished editing the thing. Being the "optimist" you all know and love, I thought I could hammer out a perfect edtion in a couple of months -- start in June be done by August, maybe even earlier -- HAH! It took two years to get a final version of SONS & DAUGHTERS and not only is that book shorter, it also is without the fun complication of being a hardcover. So, this has been frustrating, especially since 25 of you lovely, supportive readers pre-purchased your signed/numbered/personalized copies.
But...the good news is I am almost finished. You'll receive notice the very minute I receive the perfect proof copy and I'll spread some neato photos of the "signing" to gin up the excitement as we mail these beauties out. I hope you'll find it was worth the wait. Honestly, without your help, we never could have made this move. THANK YOU.
I made some promises to about 20 others who were interested in buying a copy, but couldn't place a pre-order. Don't worry, we will have those copies available. Thanks for the interest!
Once again, I'm very sorry for the delay.
You are not alone,
J. Stephen Jorge
But...the good news is I am almost finished. You'll receive notice the very minute I receive the perfect proof copy and I'll spread some neato photos of the "signing" to gin up the excitement as we mail these beauties out. I hope you'll find it was worth the wait. Honestly, without your help, we never could have made this move. THANK YOU.
I made some promises to about 20 others who were interested in buying a copy, but couldn't place a pre-order. Don't worry, we will have those copies available. Thanks for the interest!
Once again, I'm very sorry for the delay.
You are not alone,
J. Stephen Jorge
Sunday, October 29, 2006
Great Music News from Maine
Some news from Garrett Soucy...
"Tree by Leaf is excited to announce that their latest album THERE IS A VINE is completed. The cd release will be happening November 17 at the Rockport Opera House, here in Maine. The next night we will be playing at the Dogfish Bar and Grill at 128 Free St. in Portland, ME. Hopefully, you can make it out. If not, the album will be available through the site or on cd baby and other options in a couple weeks. Hope to see you all out there."
"Of the Black & the Blue" was a leap forward from this literate, catchy band. I can't wait to hear what comes next. Do yourself a favor and find out with me.
You are not alone,
J. Stephen Jorge
"Tree by Leaf is excited to announce that their latest album THERE IS A VINE is completed. The cd release will be happening November 17 at the Rockport Opera House, here in Maine. The next night we will be playing at the Dogfish Bar and Grill at 128 Free St. in Portland, ME. Hopefully, you can make it out. If not, the album will be available through the site or on cd baby and other options in a couple weeks. Hope to see you all out there."
"Of the Black & the Blue" was a leap forward from this literate, catchy band. I can't wait to hear what comes next. Do yourself a favor and find out with me.
You are not alone,
J. Stephen Jorge
Saturday, October 28, 2006
Finally, a Play for Voices!
C.S. Lewis' SPIRITS IN BONDAGE re-imagined by J. Stephen Jorge and YellowHouseFiction.
Add, Subscribe & tune in...
(JSJ)
Add, Subscribe & tune in...
(JSJ)
Wednesday, October 25, 2006
Change
It's time for a complete overhaul of this page.
Actual content and functionality would be perks, right?
You are not alone,
J. Stephen Jorge
Actual content and functionality would be perks, right?
You are not alone,
J. Stephen Jorge
Tuesday, October 03, 2006
Friday, September 29, 2006
Notes Yield Chords
God spoke to me today, of how my soul was mixed and poured with this very city in mind.
I'm trying to listen.
Words are more important to me than feelings.
So, I'm grasping at these invisibles so as to tuck them away for...yes, you called it...a rainy day.
Like, perhaps, tomorrow.
There is warmth of knowledge swirling within this cool, ceramic mug; and it is forecast to stay long after I am gone.
You are not alone,
J. Stephen Jorge
I'm trying to listen.
Words are more important to me than feelings.
So, I'm grasping at these invisibles so as to tuck them away for...yes, you called it...a rainy day.
Like, perhaps, tomorrow.
There is warmth of knowledge swirling within this cool, ceramic mug; and it is forecast to stay long after I am gone.
You are not alone,
J. Stephen Jorge
Monday, September 25, 2006
Wednesday, September 20, 2006
The latest "YHF in NYC" Newsletter
Hola, amigos!
Forgive me for failing to update you guys on the progress (and delay) of our hardcover WE'RE GOIN' TO THE CITY. I didn't realize how long the final edits would take on this thing, nor did I take into account how far the actual MOVE would push everything back...
That said, I should receive the final "proof" copy in about a week and a half. If everything's perfecto, I'll place the order for the 30 copies which have been paid for (I'm going to leave 20 copies available for upcoming orders.) Maria & I will sign and personalize the books; then we will ship them out to YOU!!! Now, for those of you living in Tampa, a friend has volunteered to act as a pick-up point for the books, which will help us with the shipping. :)
All in all, I think you can expect to have this coffee table tome in your hands mid-to-late October. I hope you enjoy it!
Love you all,
Jeremy & Maria
Forgive me for failing to update you guys on the progress (and delay) of our hardcover WE'RE GOIN' TO THE CITY. I didn't realize how long the final edits would take on this thing, nor did I take into account how far the actual MOVE would push everything back...
That said, I should receive the final "proof" copy in about a week and a half. If everything's perfecto, I'll place the order for the 30 copies which have been paid for (I'm going to leave 20 copies available for upcoming orders.) Maria & I will sign and personalize the books; then we will ship them out to YOU!!! Now, for those of you living in Tampa, a friend has volunteered to act as a pick-up point for the books, which will help us with the shipping. :)
All in all, I think you can expect to have this coffee table tome in your hands mid-to-late October. I hope you enjoy it!
Love you all,
Jeremy & Maria
Saturday, September 16, 2006
Thursday, September 14, 2006
6 pence, circa '93
"Trust in the Lord with all your heart. Lean not on your own understanding. In all of your ways acknowledge him and he will make your path straight. Don't worry about tomorrow. He's got it under control. Just trust in the Lord with all your heart and he will carry you through."
You are not alone,
J. Stephen Jorge
You are not alone,
J. Stephen Jorge
Friday, September 08, 2006
Monday, September 04, 2006
Have you read SONS & DAUGHTERS yet?
Charlotte Govin's "Shoe (after Vincent)"
Vincent van Gogh's "Shoes (at Yellow House)"
"Landscape of Life" & the "Why Should We Publish...?" essays return this week. September is a fine time to re-focus, isn't it?
You are not alone,
J. Stephen Jorge
Vincent van Gogh's "Shoes (at Yellow House)"
"Landscape of Life" & the "Why Should We Publish...?" essays return this week. September is a fine time to re-focus, isn't it?
You are not alone,
J. Stephen Jorge
Sunday, September 03, 2006
Today, I saw my friend drink chocolate soup.
a chocolate bar...
yes...a...chocolate...bar!
You are not alone,
J. Stephen Jorge
yes...a...chocolate...bar!
You are not alone,
J. Stephen Jorge
Thursday, August 31, 2006
Open your eyes, baby. Awake Awake is here!
YHF02 has arrived...
For fans of Iron & Wine, Damien Rice, Owen, etc.
$7 + shipping
Click Here to Order.
Sample the songs at myspace.com/awakeawake (or purevolume.com/awakeawake) and spread the word. Gracias.
You are not alone,
J. Stephen Jorge
For fans of Iron & Wine, Damien Rice, Owen, etc.
$7 + shipping
Click Here to Order.
Sample the songs at myspace.com/awakeawake (or purevolume.com/awakeawake) and spread the word. Gracias.
You are not alone,
J. Stephen Jorge
Friday, August 18, 2006
Oh, How I've Missed You
That's right, ladies & gents. Jazzy Jeremy Stephen Jorge is back ONLINE!
You're going to get sick off me really quick, what with the motherload of contact & content I'm a-gonna drop on ya'. Look out!
Tonight, Madi & are joining Sabine Balshazzar for a free trip to the MoMA and a free viewing of the original CHOCOLATE FACTORY beside the Hudson River...
...but...
...this is where I'd much rather be...
...so, go go go for me. Okay? You will looooooove the sounds you hear.
You are not alone,
J. Stephen Jorge
You're going to get sick off me really quick, what with the motherload of contact & content I'm a-gonna drop on ya'. Look out!
Tonight, Madi & are joining Sabine Balshazzar for a free trip to the MoMA and a free viewing of the original CHOCOLATE FACTORY beside the Hudson River...
...but...
...this is where I'd much rather be...
...so, go go go for me. Okay? You will looooooove the sounds you hear.
You are not alone,
J. Stephen Jorge
Wednesday, July 26, 2006
Thursday, July 13, 2006
What's inside WE'RE GOIN' TO THE CITY...
Bestest friends ever,
We thought you'd might like a glimpse at the exclusive goodies
published in our limited edition hardcover. Here ya' go...
1 - A Hilarious Autobiography of Maria & Jeremy (with help from Eve Williams)
2 - The script of the play "We Would Have Changed It"
3 - Collected artwork by Maria
4 - A photographic journey of the Florida Years (1996-2006)
5 - The Complete "Lime-Lit War Stories"
6 - The secret prologue to the short play "1%" (from SONS & DAUGHTERS)
...plus...
Award-winning skits and monologue's, including:
"Two Girls, One Phone"
"The Round Table"
"The Realm"
"The Ledge"
"The Jackee' Show"
"The Final Frontier"
"So, You're Here to See a Drama"
"High Potential"
"Hello, Operator?"
"Frogs on Ice"
"Fence Rider"
"Crime & Punishment"
"Concerning What Lies Ahead"
"Blinding Lights"
"A Parade of Reasons"
...and lots more!
All in all, it's quite a fun read. Pre-order yours by Friday, July
14th and get your name added to the Credits Page!
WE'RE GOIN' TO THE CITY: a benefit book for Maria & Jeremy Sobkowiak
8x10 hardcover coffee-table book, limited print of 50 copies
$50 (including s&h) [Orders received in July come personalized, signed
& numbered]
We thought you'd might like a glimpse at the exclusive goodies
published in our limited edition hardcover. Here ya' go...
1 - A Hilarious Autobiography of Maria & Jeremy (with help from Eve Williams)
2 - The script of the play "We Would Have Changed It"
3 - Collected artwork by Maria
4 - A photographic journey of the Florida Years (1996-2006)
5 - The Complete "Lime-Lit War Stories"
6 - The secret prologue to the short play "1%" (from SONS & DAUGHTERS)
...plus...
Award-winning skits and monologue's, including:
"Two Girls, One Phone"
"The Round Table"
"The Realm"
"The Ledge"
"The Jackee' Show"
"The Final Frontier"
"So, You're Here to See a Drama"
"High Potential"
"Hello, Operator?"
"Frogs on Ice"
"Fence Rider"
"Crime & Punishment"
"Concerning What Lies Ahead"
"Blinding Lights"
"A Parade of Reasons"
...and lots more!
All in all, it's quite a fun read. Pre-order yours by Friday, July
14th and get your name added to the Credits Page!
WE'RE GOIN' TO THE CITY: a benefit book for Maria & Jeremy Sobkowiak
8x10 hardcover coffee-table book, limited print of 50 copies
$50 (including s&h) [Orders received in July come personalized, signed
& numbered]
Tuesday, July 11, 2006
Friday, June 23, 2006
YHFzero
Dear friends,
Don't bother going to Borders or hitting up Amazon, I've got your next book purchase right here. This week, Maria and I are releasing our 2nd self-published book and, let me tell you, this one's a mammoth beast!
WE'RE GOIN' TO THE CITY collects all our earliest (and most popular) works in a snazzy hardcover, coffee-table volume. It features award-winning scripts, writings, photography and even a satirical autobiography of our years spent here in central Florida.
Each $50 slab-o-story will be personalized, signed and numbered 1 through 200.
{Once upon a time, two crazy kids up and got themselves hitched. Together, they ran away to join the circus. She walked the tightrope. He held onto the flying trapeze. Even thought they pushed each other to grow and learn, this couple always worked with a net...}
WE'RE GOIN' TO THE CITY has an extremely limited-time availability as the proceeds will benefit our move to New York City just a few weeks from now. These gorgeous books will be delivered by the end of July.
Use PayPal to purchase your copy, simply click on the button at the end of this letter.
The $50 sales price includes shipping -- and -- royalty-free performance rights!
{They were completely prepared when the spotlight burst illumination over their routines. But below them, there was not net to be found. It was now or never and their hearts jumped at the chance to rely on their friends -- the tightrope and the trapeze -- allies with the ability to raise the couple to such impossible heights.}
Thanks in advance for ordering your special copy of WE'RE GOIN' TO THE CITY. We hope to make good on the generous belief you've placed in us.
Your kids in The City,
Maria & Jeremy Sobkowiak
P.S. If you'd like to know the book's complete "table of contents,"
drop me an e-mail at jstephenjorge@gmail.com and you'll get the whole scoop and then some.
Don't bother going to Borders or hitting up Amazon, I've got your next book purchase right here. This week, Maria and I are releasing our 2nd self-published book and, let me tell you, this one's a mammoth beast!
WE'RE GOIN' TO THE CITY collects all our earliest (and most popular) works in a snazzy hardcover, coffee-table volume. It features award-winning scripts, writings, photography and even a satirical autobiography of our years spent here in central Florida.
Each $50 slab-o-story will be personalized, signed and numbered 1 through 200.
{Once upon a time, two crazy kids up and got themselves hitched. Together, they ran away to join the circus. She walked the tightrope. He held onto the flying trapeze. Even thought they pushed each other to grow and learn, this couple always worked with a net...}
WE'RE GOIN' TO THE CITY has an extremely limited-time availability as the proceeds will benefit our move to New York City just a few weeks from now. These gorgeous books will be delivered by the end of July.
Use PayPal to purchase your copy, simply click on the button at the end of this letter.
The $50 sales price includes shipping -- and -- royalty-free performance rights!
{They were completely prepared when the spotlight burst illumination over their routines. But below them, there was not net to be found. It was now or never and their hearts jumped at the chance to rely on their friends -- the tightrope and the trapeze -- allies with the ability to raise the couple to such impossible heights.}
Thanks in advance for ordering your special copy of WE'RE GOIN' TO THE CITY. We hope to make good on the generous belief you've placed in us.
Your kids in The City,
Maria & Jeremy Sobkowiak
P.S. If you'd like to know the book's complete "table of contents,"
drop me an e-mail at jstephenjorge@gmail.com and you'll get the whole scoop and then some.
Tuesday, May 16, 2006
Monday, May 15, 2006
Why should we publish...J.D. Larson?
J.D. Larson has impeccable taste. He's punk rock wearing a stolen tie from Bloomingdale's. Mr. Larson - like his writing - sweats style. Seriously, I don't think I've met a "cooler" writer in all my life. That he plays bass for the Quiet Hour (who kick, by the way) might add to his cred. But, I'm sure he was born with a sharp sixth sense for timeliness.
His work is never naive. When folks like me are writing pieces we'll be ashamed of in a few years, J.D. Larson is grasping at the future with premonitions of what NOW will look like THEN. His Adventures of Dean in SONS & DAUGHTERS demonstrates the clarity of his perception. He's young, but he gets so much more than he lets on.
Every now and then, ole' man John Larson will break out his acoustic and write another song under the name 1985. Like everything else he pens, these songs stand somewhere off in the distant future. As if flipping through an old yearbook, he examines our nostalgia with the sad experience of a time-traveler. When you know a writer who shines this bright a light on our present existence, our relationships, our hopes and our dreams; you do one thing. You publish him.
You are not alone,
J. Stephen Jorge
His work is never naive. When folks like me are writing pieces we'll be ashamed of in a few years, J.D. Larson is grasping at the future with premonitions of what NOW will look like THEN. His Adventures of Dean in SONS & DAUGHTERS demonstrates the clarity of his perception. He's young, but he gets so much more than he lets on.
Every now and then, ole' man John Larson will break out his acoustic and write another song under the name 1985. Like everything else he pens, these songs stand somewhere off in the distant future. As if flipping through an old yearbook, he examines our nostalgia with the sad experience of a time-traveler. When you know a writer who shines this bright a light on our present existence, our relationships, our hopes and our dreams; you do one thing. You publish him.
You are not alone,
J. Stephen Jorge
Friday, May 12, 2006
Thursday, May 11, 2006
Why should we publish...Jonathan Kelley?
Jonathan Kelley can create anything. It's as if he was double-dog-dared at an early age to "Be like Midas." So, he sees that...and he raises...the game of life to the least boring level possible. In essence, Johnny becomes a Renaissance Man. He's the Anti-JSJ.
We've been amigos for nearly a decade and through the years, he's always entertained me. Back in the day, he played bass for this band that seemed so easy to ridicule. Then he played and recorded with a band that seemed so easy to love. Now, he writes, records, plays out, speaks out and inspires the fortunate few in the crowd who remembered to pack their ears to hear.
The first few shots of SONS & DAUGHTERS chronicle Jonathan Kelley's steps forward from supporting cast member in the ongoing docudrama of indie music. He's officially a solo voice with something to say. Sure, his debut full-length album is gonna get picked up by some smart a&r guy. Sure, he's obviously gonna make a movie and a name for himself...and he should. But, until then (and ever after) we'll be proud of his indie roots and, while rooting for his success, we'll publish him.
You are not alone,
J. Stephen Jorge
We've been amigos for nearly a decade and through the years, he's always entertained me. Back in the day, he played bass for this band that seemed so easy to ridicule. Then he played and recorded with a band that seemed so easy to love. Now, he writes, records, plays out, speaks out and inspires the fortunate few in the crowd who remembered to pack their ears to hear.
The first few shots of SONS & DAUGHTERS chronicle Jonathan Kelley's steps forward from supporting cast member in the ongoing docudrama of indie music. He's officially a solo voice with something to say. Sure, his debut full-length album is gonna get picked up by some smart a&r guy. Sure, he's obviously gonna make a movie and a name for himself...and he should. But, until then (and ever after) we'll be proud of his indie roots and, while rooting for his success, we'll publish him.
You are not alone,
J. Stephen Jorge
Wednesday, May 10, 2006
Monday, May 08, 2006
Absence
My great-grandmother Julia passed away at 5 a.m. today. She was the matriarch of my large Colombian family living in Miami.
Most of my favorite memories of Grandma Julia revolve around her stuffing "Coca-Cola" money into my hands or pockets despite the protests of my parents. Her English was never quite extensive. But, she was more skilled in this language than I was in hers...
No words can express...
(JSJ)
Most of my favorite memories of Grandma Julia revolve around her stuffing "Coca-Cola" money into my hands or pockets despite the protests of my parents. Her English was never quite extensive. But, she was more skilled in this language than I was in hers...
No words can express...
(JSJ)
Friday, May 05, 2006
Why should we publish...Brian Hill?
Brian Hill is the brother I never had. Years ago, he sold me Batman and Supreme comics. Soon we were brainstorming story ideas and character arcs, arguing and cutting each other down for the sheer joy of it. Our tastes have always been wildly divergent from one another; but there has always existed a mutual respect for the insane devotion we share for culture junk of all sorts.
Too often, we've planned some creative collaboration of whatever genre in whatever medium. But, the fates have always bet against us. That's been frustrating. Over the years, I've found that Brian Hill understands frustration. He also has an uncanny ability to reproduce that exasperation onto the page without ever devolving into a naked rant. Mr. Hill pushes scenarios and problems till they crack open; finding some honest to goodness freedom in the end. His stories burst from a dead seed, then grow into something new right before your eyes.
The Captain's Monologue is Brian's lone entry in the SONS & DAUGHTERS volume. It's a seething character study that sets the reader on the brink of disaster, of change, of revolution. (It frustrates me that we didn't write this one together.) I find it more than appropriate that we publish Brian Hill. After all, he is my brother.
You are not alone,
J. Stephen Jorge
Too often, we've planned some creative collaboration of whatever genre in whatever medium. But, the fates have always bet against us. That's been frustrating. Over the years, I've found that Brian Hill understands frustration. He also has an uncanny ability to reproduce that exasperation onto the page without ever devolving into a naked rant. Mr. Hill pushes scenarios and problems till they crack open; finding some honest to goodness freedom in the end. His stories burst from a dead seed, then grow into something new right before your eyes.
The Captain's Monologue is Brian's lone entry in the SONS & DAUGHTERS volume. It's a seething character study that sets the reader on the brink of disaster, of change, of revolution. (It frustrates me that we didn't write this one together.) I find it more than appropriate that we publish Brian Hill. After all, he is my brother.
You are not alone,
J. Stephen Jorge
Wednesday, May 03, 2006
Tuesday, May 02, 2006
Why should we publish...Daphne Higgenbotham?
All truths must be told, even if Daphne Higgenbotham isn't pleased with this particular proclamation: not every 10 year-old can write a satisfying memoir. There...I said it. Although this opinion may disqualify me from becoming a Superior Adult in the bright eyes of our youngest author, I can take comfort in the knowledge that the distinction I've made between Daphne and her peers will make her smile with satisfaction when no one is looking.
Daphne is a very interesting little girl. Those who know me could whisper accusations of bias, since Ms. Higgenbotham is British-born and still resides across the pond. They may point out that all my favorite writers (with the exception of Mr. Mamet) sulk somewhere in the United Kingdom. The proper response to my fellow Yanks is a big, fat "so bloody what?"
As you will read in the Chapter 1 excerpt from RISE TO FAME (which we've included as bonus back-matter in SONS & DAUGHTERS), she's much more than an accent or a gimmick. Daphne delivers clever insights which will make you re-live the chaos of childhood in all its frustrating glory. My beloved words fail to describe our excitement at the opportunity to publish her first book. [Coming Soon, of course.]
You are not alone,
J. Stephen Jorge
Daphne is a very interesting little girl. Those who know me could whisper accusations of bias, since Ms. Higgenbotham is British-born and still resides across the pond. They may point out that all my favorite writers (with the exception of Mr. Mamet) sulk somewhere in the United Kingdom. The proper response to my fellow Yanks is a big, fat "so bloody what?"
As you will read in the Chapter 1 excerpt from RISE TO FAME (which we've included as bonus back-matter in SONS & DAUGHTERS), she's much more than an accent or a gimmick. Daphne delivers clever insights which will make you re-live the chaos of childhood in all its frustrating glory. My beloved words fail to describe our excitement at the opportunity to publish her first book. [Coming Soon, of course.]
You are not alone,
J. Stephen Jorge
Monday, May 01, 2006
Why should we publish...Marion Greene?
My favorite moment in the process of writing these tributes happens at the very, very beginning. Before I even think through the first draft, I re-read the next author's contribution to SONS & DAUGHTERS - An Ambient Fiction Album. Even after a multitude of readings, these stories are as fresh and enjoyable as when I first received them on coffee-stained prints or within e-mail attachments. Yesterday, I opened up the book and it fell to page 20, which just so happens to feature Marion Greene's blues solo. Some things do work themselves out perfectly.
Definition of Love is as full of longing as it is empty of needless words. It's a riff on romance that cuts through the situational noise and the crappy communication which keeps us all from dreaming openly and sharing selflessly with that Unrequited Love. It speaks as a vow; swearing, pledging, praying with bold vulnerability. Definition of Love speaks of a perfect devotion and shores up the courage to pursue such a high ideal.
I first met Marion Greene through my bride, Madi. They shared some of the same classes at university and quickly became friends. I've read only a few samples of her writing from that era. Marion wrote these charming notes and cards to her friends (including the lovely Madi) and left them in mail slots as surprise landmines of joy. I'm confident you'll hear more from Ms. Greene over the next few years. When she speaks, we'll be there to publish her.
You are not alone,
J. Stephen Jorge
Definition of Love is as full of longing as it is empty of needless words. It's a riff on romance that cuts through the situational noise and the crappy communication which keeps us all from dreaming openly and sharing selflessly with that Unrequited Love. It speaks as a vow; swearing, pledging, praying with bold vulnerability. Definition of Love speaks of a perfect devotion and shores up the courage to pursue such a high ideal.
I first met Marion Greene through my bride, Madi. They shared some of the same classes at university and quickly became friends. I've read only a few samples of her writing from that era. Marion wrote these charming notes and cards to her friends (including the lovely Madi) and left them in mail slots as surprise landmines of joy. I'm confident you'll hear more from Ms. Greene over the next few years. When she speaks, we'll be there to publish her.
You are not alone,
J. Stephen Jorge
Saturday, April 29, 2006
Friday, April 28, 2006
Why should we publish...Lucas Giles?
Every story needs a moment of "no return" where hope seems extinguished and the end draws nigh. I felt SONS & DAUGHTERS was missing that unflinching gaze into the flames of despair; so, I invited the best man I know for such a dirty job: Lucas Giles. In the prolific (and personal) songwriting of ::GILES and through his fictive efforts, he's demonstrated time and forever a devotion to questioning all that seems bright and beautiful.
I love this about Mr. Giles. When it lives honestly, brutal (even horrific) cynicism can be refreshing in a world busy hyping the future and framing our history. But, that's not the only aspect to love. As you'll read in Climactic Excerpts and the lyrical opus Sex and Cigarettes, his structure and delivery are quite lovely, cutting across the rage and conflict of his tales with skill beyond his age.
True Confession / DVD Commentary: Sex and Cigarettes was originally conceived and written as a concept record but was abandoned after only a few tracks were recorded. Hopefully when the stars align, ::GILES will return with more melodic mayhem. Until then, we should publish Lucas.
You are not alone,
J. Stephen Jorge
I love this about Mr. Giles. When it lives honestly, brutal (even horrific) cynicism can be refreshing in a world busy hyping the future and framing our history. But, that's not the only aspect to love. As you'll read in Climactic Excerpts and the lyrical opus Sex and Cigarettes, his structure and delivery are quite lovely, cutting across the rage and conflict of his tales with skill beyond his age.
True Confession / DVD Commentary: Sex and Cigarettes was originally conceived and written as a concept record but was abandoned after only a few tracks were recorded. Hopefully when the stars align, ::GILES will return with more melodic mayhem. Until then, we should publish Lucas.
You are not alone,
J. Stephen Jorge
Thursday, April 27, 2006
Wednesday, April 26, 2006
Why should we publish...Sabine Balshazzar?
Ms. Balshazzar always brings a little more confidence to the party. Mind you, she's no diva, Sabine ain't arrogant. She's just...present; present and aware, right in the thick of life even as people (like me) sit halfway in the room, never quite giving the surrounding souls the attention they deserve.
Sabine Balshazzar focuses her eyes on you and your apathetic shell just melts down into a puddle of hysterical honesty. Maybe she doesn't provide the confidence. Maybe she just lights it well and gives it some flourish. Even still, she's behind the blend of community and creativity that brings us together. Trust probably follows her around, hoping to figure out the nature and science of the loyalty she inspires.
Sabine breaks you down, man. But, she holds your hand as, together, you watch the history of your hopes be revealed with the gentle patience of an archaeologist's brush and hammer. You can get an honest reflection of life in each of her stories. I think a mirror of truth hangs above the mantle in The River, The Commune and Extinction. In these, SONS & DAUGHTERS is one blessed book. There are only so many lies you can juggle before you begin to feel like a clown. Isn't it time to curb the foolishness and publish Sabine Balshazzar?
You are not alone,
J. Stephen Jorge
Sabine Balshazzar focuses her eyes on you and your apathetic shell just melts down into a puddle of hysterical honesty. Maybe she doesn't provide the confidence. Maybe she just lights it well and gives it some flourish. Even still, she's behind the blend of community and creativity that brings us together. Trust probably follows her around, hoping to figure out the nature and science of the loyalty she inspires.
Sabine breaks you down, man. But, she holds your hand as, together, you watch the history of your hopes be revealed with the gentle patience of an archaeologist's brush and hammer. You can get an honest reflection of life in each of her stories. I think a mirror of truth hangs above the mantle in The River, The Commune and Extinction. In these, SONS & DAUGHTERS is one blessed book. There are only so many lies you can juggle before you begin to feel like a clown. Isn't it time to curb the foolishness and publish Sabine Balshazzar?
You are not alone,
J. Stephen Jorge
Tuesday, April 25, 2006
Monday, April 24, 2006
Why should we publish...Garrett Soucy?
One of the benefits of spending time in the shady, strange territory of holiness known as Lakeland, Florida was meeting Garrett Soucy and hearing his music. Call it "right time, right place," but I'll argue that Lakeland ain't the right place for nothing, no way, no how. Of course, I say this fully aware that the majority of my closest friends were made during my stint in lameland. But enough setting; let's dance!
Garrett Soucy is that fizzing explosive posing as your alarm clock. He's the neighborhood dealer spreading songs of unsettling beauty, lacing them with a touch of kind madness. For me, no "ambient fiction album" would be worthy of a spin without an appearance by the this particular branch of TREE BY LEAF.
Mr. Soucy has been an influence of wisdom and delight on my little life since our first conversation. Once you pour yourself a cup and page through his Introduction of SONS & DAUGHTERS, you'll understand that society should lock up anyone like Garrett, anyone who can write something so frightfully inspired and so hopelessly excited. Or, perhaps, we should publish him.
You are not alone,
J. Stephen Jorge
Garrett Soucy is that fizzing explosive posing as your alarm clock. He's the neighborhood dealer spreading songs of unsettling beauty, lacing them with a touch of kind madness. For me, no "ambient fiction album" would be worthy of a spin without an appearance by the this particular branch of TREE BY LEAF.
Mr. Soucy has been an influence of wisdom and delight on my little life since our first conversation. Once you pour yourself a cup and page through his Introduction of SONS & DAUGHTERS, you'll understand that society should lock up anyone like Garrett, anyone who can write something so frightfully inspired and so hopelessly excited. Or, perhaps, we should publish him.
You are not alone,
J. Stephen Jorge
Sunday, April 23, 2006
Wednesday, April 19, 2006
I Heart St. Pete
A few nights ago, Madi and I joined Greg Roussos and Old/New friend Ali Williams at the Studio@620 for a gallery opening featuring some of her terrific graphic design (See: MySpace photos). She's the best kind of artist; soft-spoken but full of wit and unpretentious insight when she figures it's time to speak up. Ali Williams loves LESS THAN JAKE, by the way. Your friends at YHF loves Ali Williams.
The evening was also the first night of SAY WHAT, a spoken-word event hosted by two crazy gents from the Nation of Poetry. There was some fine work on stage, some of which matched the quality of the work on the walls around us. I dug this kid (and I do mean "kid") who read a piece about New York, written just after performing at the Bowery Poetry Club. Good stuff.
Madi's favorite speaker was Lizz Straight, host of "Poetry Is" on 88.5 WMNF. Madi is never, ever wrong.
Before we ditched out, I read Billy Everest -- one of my contributions to the ambient fiction album SONS & DAUGHTERS. That was fun. If only because I took the rebellious turn of reading a story about "church" in a room of angry, leftist beatniks. (Sure, it was a horror story about church. But, still!) Always keep them guessing...or, Always be closing...or, something like that.
You are not alone,
J. Stephen Jorge
The evening was also the first night of SAY WHAT, a spoken-word event hosted by two crazy gents from the Nation of Poetry. There was some fine work on stage, some of which matched the quality of the work on the walls around us. I dug this kid (and I do mean "kid") who read a piece about New York, written just after performing at the Bowery Poetry Club. Good stuff.
Madi's favorite speaker was Lizz Straight, host of "Poetry Is" on 88.5 WMNF. Madi is never, ever wrong.
Before we ditched out, I read Billy Everest -- one of my contributions to the ambient fiction album SONS & DAUGHTERS. That was fun. If only because I took the rebellious turn of reading a story about "church" in a room of angry, leftist beatniks. (Sure, it was a horror story about church. But, still!) Always keep them guessing...or, Always be closing...or, something like that.
You are not alone,
J. Stephen Jorge
Tuesday, April 18, 2006
Monday, April 10, 2006
Exhaustion & Pain
Things are getting back to normal, yet they're not; not really. Back at the day job, back at the night job, back to moonlit publishing and dawntime writing, I'm trying, I'm trying.
Madi still needs healing. It seems like everyone I know is suffering or losing someone dear.
May Friday kill you and Sunday wake you from beyond. Blessing and begging from your friends at YHF.
You are not alone,
J. Stephen Jorge
Madi still needs healing. It seems like everyone I know is suffering or losing someone dear.
May Friday kill you and Sunday wake you from beyond. Blessing and begging from your friends at YHF.
You are not alone,
J. Stephen Jorge
Friday, April 07, 2006
Not a Pro, Not a Con
Health, wealth, interest and experience would be nice right about now. But, I suppose I can settle for confusion.
I'm thinking, "This will be a strange year."
You are not alone,
J. Stephen Jorge
I'm thinking, "This will be a strange year."
You are not alone,
J. Stephen Jorge
Monday, March 27, 2006
Wedding Bliss
This weekend, Madi and I were privileged to witness the union of SONS & DAUGHTERS co-authors Batthius Manning and Caity Abadene-Manning. They're a perfect couple and we wish them every happiness possible.
It was great to spend time with so many close friends. Hopefully, you are all as blessed in friendship as I am.
You are not alone,
J. Stephen Jorge
It was great to spend time with so many close friends. Hopefully, you are all as blessed in friendship as I am.
You are not alone,
J. Stephen Jorge
Thursday, March 09, 2006
"My Thoughts Outweigh Any Good I've Done"
I'm listening to the old CCM demos by Dave Bazan right now. Crazy how different it is from Pedro (and Headphones.) Really beautiful, though.
Things are progressing nicely as we work to set up the various avenues through which you'll be able to read SONS & DAUGHTERS. I just sent some info to Amazon. That was cool.
I'm about 1/2 of the way through writing/posting THE IDES EP, my latest experiment in the LYING LIVE micro-fiction series. This one is not a serial (unlike SUCCESSION ELECTION or NEW KICK/OLD GODS) and is decidedly "single-centric;" however, I have created a recurring character who may live beyond the EP. I just like her so much. Up to this point, most of LL has been told through abstract speakers who have gone without name or dimension. Since these are experiments in form, I really don't see a need to pretend I'm writing "real characters."
To be completely honest, the main reason I came back to LYING LIVE after a good 10 week break is I have a plan for a large scale fictive. I've been putting it off for quite some time because, frankly, I've never succeeded in completing a long story, let alone a novela, or *gulp* a novel. So, I'm priming the pump by getting 15 crappy, tiny tales out of my system before I sit down to dive deep, before I push forward to pump out a few pages a day of one continuous work.
Creating something, for me, is less about "art" and more about "work;" which is amusing considering what a slacker I can become. Perhaps it's less "amusing" and more "telling."
Having SONS & DAUGHTERS become a flesh and blood reality has been a boon for my confidence, though. I'm excited to serve God through the means he's given me (i.e. writing, acting, editing, encouraging.) Of course, it'd be nice if I followed Christ through the non-creative areas of my life too; like loving my wife, family, friends and neighbors with passion, huh?
Now, I'm listening to the one song I still have by Steve White (of Iota Grey) from his bygone solo project Substitute the English. He's probably going to kill me for mentioning it. But, it really was good.
Speaking of "TSC-era" musicians: I listened to a few ::Giles tracks earlier today -- Lucas actually borrowed my complete collection; the nerve -- and I can not wait till he records some new stuff. (One of my favorite things about SONS & DAUGHTERS is that it includes to brilliant works by Lucas Giles -- one of which was an aborted ::Giles project.)
Lisa Fiorisi sent me her new EP this week in the post. Thank you, thank you, thank you, Lisa. "Rise Above This" is my favorite new song. Give her a listen.
Finally, since I've gotten on the topic of music and musicians; Johnny Kelley let me know that he finally got a chance to the LYING LIVE I wrote for him back in the VOLUME ONE LP. I was really pleased to hear he enjoyed it.
You are not alone,
J. Stephen Jorge
Things are progressing nicely as we work to set up the various avenues through which you'll be able to read SONS & DAUGHTERS. I just sent some info to Amazon. That was cool.
I'm about 1/2 of the way through writing/posting THE IDES EP, my latest experiment in the LYING LIVE micro-fiction series. This one is not a serial (unlike SUCCESSION ELECTION or NEW KICK/OLD GODS) and is decidedly "single-centric;" however, I have created a recurring character who may live beyond the EP. I just like her so much. Up to this point, most of LL has been told through abstract speakers who have gone without name or dimension. Since these are experiments in form, I really don't see a need to pretend I'm writing "real characters."
To be completely honest, the main reason I came back to LYING LIVE after a good 10 week break is I have a plan for a large scale fictive. I've been putting it off for quite some time because, frankly, I've never succeeded in completing a long story, let alone a novela, or *gulp* a novel. So, I'm priming the pump by getting 15 crappy, tiny tales out of my system before I sit down to dive deep, before I push forward to pump out a few pages a day of one continuous work.
Creating something, for me, is less about "art" and more about "work;" which is amusing considering what a slacker I can become. Perhaps it's less "amusing" and more "telling."
Having SONS & DAUGHTERS become a flesh and blood reality has been a boon for my confidence, though. I'm excited to serve God through the means he's given me (i.e. writing, acting, editing, encouraging.) Of course, it'd be nice if I followed Christ through the non-creative areas of my life too; like loving my wife, family, friends and neighbors with passion, huh?
Now, I'm listening to the one song I still have by Steve White (of Iota Grey) from his bygone solo project Substitute the English. He's probably going to kill me for mentioning it. But, it really was good.
Speaking of "TSC-era" musicians: I listened to a few ::Giles tracks earlier today -- Lucas actually borrowed my complete collection; the nerve -- and I can not wait till he records some new stuff. (One of my favorite things about SONS & DAUGHTERS is that it includes to brilliant works by Lucas Giles -- one of which was an aborted ::Giles project.)
Lisa Fiorisi sent me her new EP this week in the post. Thank you, thank you, thank you, Lisa. "Rise Above This" is my favorite new song. Give her a listen.
Finally, since I've gotten on the topic of music and musicians; Johnny Kelley let me know that he finally got a chance to the LYING LIVE I wrote for him back in the VOLUME ONE LP. I was really pleased to hear he enjoyed it.
You are not alone,
J. Stephen Jorge
Saturday, March 04, 2006
Sunday, February 26, 2006
One Last Teaser
It's finally happened: our first book of words and pictures, stories and the odd apothegm has hit the marketplace. SONS & DAUGHTERS is free from the bondage of idea, free to explore the reality of the bookshelf, the bookseller, the reader and the critic.
For the next few weeks, you can get the book exclusively through our printer's website. But, before you get all the wonderful purchase information, I want to share some more "thoughts from the editor."
I decided to forgo the customary reviews, quotes and summaries on the back of the book. Instead, you'll find seemingly random phrases that provide a sense of what you'll find on the pages inside. Here they are...
"communist meetings, foreign languages, ex-boyfriends. a stage play, two previews, naughty naughty sketches. superheroes, made-up memoirs, imaginary bands. dementia, guatemala antigua, starting all over. mercy killings, nasty breakups, poetic vices. rock stars, true love, good new friends. betrayal, bridesmaids, field trips. jesus, pms, working-a-double."
Next: The authors of SONS & DAUGHTERS. Oh, there's to be a new LYING LIVE series -- beginning tomorrow! -- but, you didn't hear it from me.
You are not alone,
J. Stephen Jorge
For the next few weeks, you can get the book exclusively through our printer's website. But, before you get all the wonderful purchase information, I want to share some more "thoughts from the editor."
I decided to forgo the customary reviews, quotes and summaries on the back of the book. Instead, you'll find seemingly random phrases that provide a sense of what you'll find on the pages inside. Here they are...
"communist meetings, foreign languages, ex-boyfriends. a stage play, two previews, naughty naughty sketches. superheroes, made-up memoirs, imaginary bands. dementia, guatemala antigua, starting all over. mercy killings, nasty breakups, poetic vices. rock stars, true love, good new friends. betrayal, bridesmaids, field trips. jesus, pms, working-a-double."
Next: The authors of SONS & DAUGHTERS. Oh, there's to be a new LYING LIVE series -- beginning tomorrow! -- but, you didn't hear it from me.
You are not alone,
J. Stephen Jorge
Sunday, February 05, 2006
MySpace.com/YborPlay
HCC THEATRE DEPARTMENT TO PRESENT ROMEO AND JULIET
The Theatre Department of Hillsborough Community College-Ybor Campus will present William Shakespeare’s much-loved Romeo and Juliet at the HCC Black Box Theatre for a special weekend engagement.
Romeo and Juliet is more than a legendary love story. The play pulls us behind the curtain of romanticism for a brilliant and inspiring look at what drives our lives. In 2006, how do we live, love and lust in private and in public? What personal motivations clash against the society around us? Shakespeare has something to say on these issues and we are invited to dialogue with a play filled with understanding.
Join us this February, for the war of Capulet and Montague. Join us for a love story with no equal. Join us as we unwrap this play. Inside one of these characters, you might find a bit of yourself.
Romeo and Juliet is adapted and directed by Melody Seoane. Evening performances are Thursday through Saturday, February 23rd through 25th at 7:30 p.m. Matinees are Friday, February 24th at 1:00 p.m. and Sunday, February 26th at 2:00 p.m.
Tickets are $10.00 for the general public and $7.00 for students, seniors and HCC faculty/staff. For reservations, call (813) 253-7650. The HCC Black Box Theatre is located in the Historic Latin Quarter of Ybor City on the corner of Palm Avenue and 14th Street. Visit www.myspace.com/yborplay for more information and full directions.
###
You are not alone,
J. Stephen Jorge
Friday, February 03, 2006
Teaser Cuatro
So, a little more info SONS & DAUGHTERS. What is "ambient fiction" anyway? And why am I calling it an "album" when it's clearly a book (pages, spine, the whole dealio)?
SONS & DAUGHTERS began as a collection of my writings and soon moved into an inclusive phase of finding all this terrific work by friend upon friend upon friend. I ended up tossing 80% of the original material in favor of adding 14 other authors to the lineup. From day one, the page limit was set at 100 to keep the price as low as possible. Thankfully, I was able to lower the price even further -- and raise the quality -- by switching printers.
While editing the stories into (what I thought would become) an ordinary anthology, I found strong threads of theme, desire and consequence floating about. So, I let the threads connect...some sketches were brought in...they amplified the arc of the book to such a strong degree that S&D was turning into not a collection of short writings, but a cohesive statement from a small band of spirited voices.
That's when I received a strange e-mail from a strange guy: Warren Ellis. He's a writer of comics and other stuff. I've become an avid fan and a while back I subscribed to his e-mail list BAD SIGNAL. In the middle of massaging what would become YellowHouseFiction's first release, I opened this e-mail from the SIGNAL:
"Imagine there was such a thing as Ambient Fiction. There are probably lots of examples...Works you can dip into and out of, like treatises and long non-fiction works, and still draw complete little micro-experiences from, as you do in ambient music. A flow, or combination of flows, of word and picture that constitutes an ideational visual soundtrack, if you like. The pure imagining of ambient music was that sound was used as you'd use light. You want constancy from light. You want to be able to ignore it, or drift away from it, but also to be able to focus on it, to study and enjoy it...Great for a cheap 100-page print book...something you drift in and out of, draw inspiration from, savour the evocations it causes. Something you forget you're reading."
So, that's what we were creating! Ambient Fiction! The words "Dip in" enthused me to no end. : : : Dip in. Delight. Duck & Cover. : : : Yes! That was SONS & DAUGHTERS. Or, that was what it was destined to become.
Besides Mr. Ellis' gift for fiction and self-promotion, I've always loved his blend of story and musicality. He hears the noise pop in prose, the jazz in dialogue and the punk rock in plot. And, that, my friends, that is the foundation of YellowHouseFiction. We are indie rock for your bookshelf.
SONS & DAUGHTERS isn't just some little book from a bunch of no-names looking for validation. S&D is an ambient fiction album that will burn a warm spot into those who read it; it's a record that will speak and sing until someone, somewhere listens.
Dip in. Delight. Duck & Cover. Soon, I'll tell you how you can grab some indie rock for your bookshelf.
You are not alone,
J. Stephen Jorge
P.S. This blog will see a name-change soon. Don't be alarmed. It's just that I'm no longer amused by its rude proximity to the my other blog: LYING LIVE. I mean...the nerve! At first, it was kinda cute; but, the arrogance just got to me. In all honesty, I think R&G may have a drug problem. But, I digress. Fortunately, I'm a man of many titles and as RUMORS & GOSSIP dies, a younger, bolder, crazier Caesar will take its place. Same blog, new name. Coming soon.
SONS & DAUGHTERS began as a collection of my writings and soon moved into an inclusive phase of finding all this terrific work by friend upon friend upon friend. I ended up tossing 80% of the original material in favor of adding 14 other authors to the lineup. From day one, the page limit was set at 100 to keep the price as low as possible. Thankfully, I was able to lower the price even further -- and raise the quality -- by switching printers.
While editing the stories into (what I thought would become) an ordinary anthology, I found strong threads of theme, desire and consequence floating about. So, I let the threads connect...some sketches were brought in...they amplified the arc of the book to such a strong degree that S&D was turning into not a collection of short writings, but a cohesive statement from a small band of spirited voices.
That's when I received a strange e-mail from a strange guy: Warren Ellis. He's a writer of comics and other stuff. I've become an avid fan and a while back I subscribed to his e-mail list BAD SIGNAL. In the middle of massaging what would become YellowHouseFiction's first release, I opened this e-mail from the SIGNAL:
"Imagine there was such a thing as Ambient Fiction. There are probably lots of examples...Works you can dip into and out of, like treatises and long non-fiction works, and still draw complete little micro-experiences from, as you do in ambient music. A flow, or combination of flows, of word and picture that constitutes an ideational visual soundtrack, if you like. The pure imagining of ambient music was that sound was used as you'd use light. You want constancy from light. You want to be able to ignore it, or drift away from it, but also to be able to focus on it, to study and enjoy it...Great for a cheap 100-page print book...something you drift in and out of, draw inspiration from, savour the evocations it causes. Something you forget you're reading."
So, that's what we were creating! Ambient Fiction! The words "Dip in" enthused me to no end. : : : Dip in. Delight. Duck & Cover. : : : Yes! That was SONS & DAUGHTERS. Or, that was what it was destined to become.
Besides Mr. Ellis' gift for fiction and self-promotion, I've always loved his blend of story and musicality. He hears the noise pop in prose, the jazz in dialogue and the punk rock in plot. And, that, my friends, that is the foundation of YellowHouseFiction. We are indie rock for your bookshelf.
SONS & DAUGHTERS isn't just some little book from a bunch of no-names looking for validation. S&D is an ambient fiction album that will burn a warm spot into those who read it; it's a record that will speak and sing until someone, somewhere listens.
Dip in. Delight. Duck & Cover. Soon, I'll tell you how you can grab some indie rock for your bookshelf.
You are not alone,
J. Stephen Jorge
P.S. This blog will see a name-change soon. Don't be alarmed. It's just that I'm no longer amused by its rude proximity to the my other blog: LYING LIVE. I mean...the nerve! At first, it was kinda cute; but, the arrogance just got to me. In all honesty, I think R&G may have a drug problem. But, I digress. Fortunately, I'm a man of many titles and as RUMORS & GOSSIP dies, a younger, bolder, crazier Caesar will take its place. Same blog, new name. Coming soon.
Tuesday, January 31, 2006
Farewell, Dear Scribe.
Wendy Wasserstein, a brilliantly funny playwright passed away today at age 55 from lymphoma. She authored THE HEIDI CHRONICLES -- which took a Pulitzer and a Tony in 1989 -- and saw her most recent work, THIRD, open just a few months ago.
Rest in peace,
J. Stephen Jorge
Rest in peace,
J. Stephen Jorge
Monday, January 30, 2006
Lorne Michaels and YHF are on the same wavelength.
Apparently, SONS & DAUGHTERS will be the rage of 2006. I just saw a commercial for a new television series entitled -- wait for it -- yes, SONS & DAUGHTERS. Welcome to Ideaspace. I feel kind of vindicated. This strange turn of events is kind of encouraging for some reason. We'll take the underground, ABC and Mr. SNL can handle the mainstream.
Before the next teaser (a glimpse into the rational behind "ambient fiction"), I'm going to share something that was written for me as a gift from a talented folk musician who moonlights as a generous friend.
SHRED AND DEFEAT THE MASTER SPY by Judy Barrett
Rip each page into tiny shreds
So the name and number can not be read.
You keep them out of the probing sight
Of the horrible creature that walks the night.
Somewhere out there the master spy,
With a foreign accent and bloodshot eye,
Would give his paycheck from three months back
For just one look at an untorn stack.
The bits and pieces are mixed and turned
Then taken away to a cave and burned.
The ashes are whisked to a secret place,
Loaded on rockets, and launched into space.
While somewhere out there, the master spy,
With a gun and a knife and a flask of rye,
Lurks in the corners where shadows creep,
Waits and watches and will not sleep.
So let us be vigilant day after day.
Shred every page as we throw it away.
Rip every piece just as small as we can,
So they won't have a place in the master spy's plan.
###
Fantastic, isn't it? Yes: Part of my duties at Social Security is to shred documents. I'm highly skilled.
You are not alone,
J. Stephen Jorge
Before the next teaser (a glimpse into the rational behind "ambient fiction"), I'm going to share something that was written for me as a gift from a talented folk musician who moonlights as a generous friend.
SHRED AND DEFEAT THE MASTER SPY by Judy Barrett
Rip each page into tiny shreds
So the name and number can not be read.
You keep them out of the probing sight
Of the horrible creature that walks the night.
Somewhere out there the master spy,
With a foreign accent and bloodshot eye,
Would give his paycheck from three months back
For just one look at an untorn stack.
The bits and pieces are mixed and turned
Then taken away to a cave and burned.
The ashes are whisked to a secret place,
Loaded on rockets, and launched into space.
While somewhere out there, the master spy,
With a gun and a knife and a flask of rye,
Lurks in the corners where shadows creep,
Waits and watches and will not sleep.
So let us be vigilant day after day.
Shred every page as we throw it away.
Rip every piece just as small as we can,
So they won't have a place in the master spy's plan.
###
Fantastic, isn't it? Yes: Part of my duties at Social Security is to shred documents. I'm highly skilled.
You are not alone,
J. Stephen Jorge
Sunday, January 29, 2006
Teaser Tres
You know that fantastic image of a book laid flat on top of a nightstand, opened up to the page you were wrestling with the night before; the spin pulling open with the glory of story invading dream taking over life? Here's kinda what that will look like when you tear through SONS & DAUGHTERS:
Back cover art by Naomi.
More info on the first book from YellowHouseFiction, in this blog, in short order.
You are not alone,
J. Stephen Jorge
Back cover art by Naomi.
More info on the first book from YellowHouseFiction, in this blog, in short order.
You are not alone,
J. Stephen Jorge
The Answer to Why Even Bother
"Your job is the relentless pursuit of who God created you to be. Anything else you do is sin and you need to repent of it."
- An unnamed therapist speaking to Rob Bell, author of VELVET ELVIS.
You are not alone,
J. Stephen Jorge
- An unnamed therapist speaking to Rob Bell, author of VELVET ELVIS.
You are not alone,
J. Stephen Jorge
The Tip of The Tongue
So, I just finished prepping 10 page previews of both the featured softcover version and the coplimentary edition of SONS & DAUGHTERS. These previews will be available through at least one of our online vendors, hopefully all of them. There's also an option to make the book fully searchable through the new "Google books" thing, which I'm leaning towards doing as well.
Only a few more issues to square away and this book of fiction and foul tempers will be available to anyone daring enough to seek it out. It's exciting and pretty much terrifying.
Of course, I'm left with the obvious questions (which I must ignore in order to see this project through): who the heck cares, what the heck does it matter and who's going to read this "ambient fiction album" anyway?
Yeah... Maybe I'll show you the back cover tomorrow night. Would you like that? I bet you would. Then, maybe a short intro the authors and their tales. Good stuff. Really.
You are not alone,
J. Stephen Jorge
Only a few more issues to square away and this book of fiction and foul tempers will be available to anyone daring enough to seek it out. It's exciting and pretty much terrifying.
Of course, I'm left with the obvious questions (which I must ignore in order to see this project through): who the heck cares, what the heck does it matter and who's going to read this "ambient fiction album" anyway?
Yeah... Maybe I'll show you the back cover tomorrow night. Would you like that? I bet you would. Then, maybe a short intro the authors and their tales. Good stuff. Really.
You are not alone,
J. Stephen Jorge
Friday, January 27, 2006
Kelley Music
Jonathan Kelley has a brand new site devoted to his tunes and his upcoming YHF album ARBITRARY PICTURES. Enjoy!
Florida misses Johnny.
You are not alone,
J. Stephen Jorge
Florida misses Johnny.
You are not alone,
J. Stephen Jorge
Teaser Dos
Most folks like to flip through a book before laying down the dough (even if it only costs, what, 7 - 8 dollars?), so we -- the huge corporate staff that works around the clock at the YellowHouseFiction studios and offices want to give everyone that chance, even if finding SONS & DAUGHTERS in a local bookstore might be tough (at first.)
That's why we're also releasing The Complimentary Edition! 80-odd pages comprising the bulk of the actual release in the form of a free, downloadable PDF document -- with a special cover of its very own. Would you like to see it?
A few more teasers are making the charge up the hill! Can you stand it?
You are not alone,
J. Stephen Jorge
That's why we're also releasing The Complimentary Edition! 80-odd pages comprising the bulk of the actual release in the form of a free, downloadable PDF document -- with a special cover of its very own. Would you like to see it?
A few more teasers are making the charge up the hill! Can you stand it?
You are not alone,
J. Stephen Jorge
Thursday, January 26, 2006
Teaser Uno
The release of SONS & DAUGHTERS is so close, I can taste the angst. Can you taste it?
In a few short days, the first release -- a 100 page Ambient Fiction Album created by 15 authors -- will be available to you in two forms and through several book dealers of choice. As a teaser, how 'bout I show you the front cover (featuring art from the lovely Madi)?
YHF01 / ISBN # 1-4116-4881-1
You are not alone,
J. Stephen Jorge
In a few short days, the first release -- a 100 page Ambient Fiction Album created by 15 authors -- will be available to you in two forms and through several book dealers of choice. As a teaser, how 'bout I show you the front cover (featuring art from the lovely Madi)?
YHF01 / ISBN # 1-4116-4881-1
You are not alone,
J. Stephen Jorge
Monday, January 23, 2006
In the Waiting Room
When all that you can feel is the pounding of your chest; when the time dividing what you dream of and what you get seems so finite; when you're excited, because anything really can happen: Remember. Remember that in delight or disappointment, you -- in these strange moments -- are finally living. This conscious tension is life. This tug-of-war for hope is living. Tomorrow, I hope to live once again.
You are not alone,
J. Stephen Jorge
You are not alone,
J. Stephen Jorge
Thursday, January 12, 2006
Listen
Want 7 hours of great conversation with U2's Bono? You should.
The publisher and editor-in-chief of ROLLING STONE magazine sat down with rock star / follower of the Way a few months ago and they've just completed podcasting massive excerpts. It's brilliant and it's free.
Do yourself a favor and download the thing.
You are not alone,
J. Stephen Jorge
The publisher and editor-in-chief of ROLLING STONE magazine sat down with rock star / follower of the Way a few months ago and they've just completed podcasting massive excerpts. It's brilliant and it's free.
Do yourself a favor and download the thing.
You are not alone,
J. Stephen Jorge
Tuesday, January 10, 2006
Groaning = Story
We live in a world where "myth becomes fact."
No matter how dark the night develops or how bright the sun bears down, this good home keeps turning 'round; a wise beast, always searching with a hungry hope for tomorrow.
This setting is our ally in the whispered longing for life.
You are not alone,
J. Stephen Jorge
No matter how dark the night develops or how bright the sun bears down, this good home keeps turning 'round; a wise beast, always searching with a hungry hope for tomorrow.
This setting is our ally in the whispered longing for life.
You are not alone,
J. Stephen Jorge
Monday, December 26, 2005
Post-Christmas
Well, the play Saturday night (and afternoon) went well. Not a glitch, not a hiccup. Quite smooth, in fact. Surprisingly, it even seemed to capture the taste of our audience. So, that was nice. Everyone did a superb job. If you're reading this, I mean you: Taylor, Heather, Ashley, Tessa, Mike, Madi, Brandon, Cathy and all the technical geniuses, everybody in the band...and, of course, Susie and Cara. Well done, you. Thanks to the cool friends who came to check it out and support us actor folk.
As New Year's is approaching, I'm in a state of utter re-evaluation. Events have pushed back YHF and its releases to an uncomfortable degree. This must be remedied. I've already mentioned that LYING LIVE will be winding down for a while (now that NEW KICK/OLD GODS is complete.) I'll be posting the bookend short story on New Year's eve. I fully expect to return to these tiny tales in a few months (maybe sooner, maybe later); but I don't want it to become a chore. Plus, it'll free up a good deal of time and energy.*
Speaking of chores: LIME-LIT WAR STORIES will be going away permanently. I've only posted eight of these essays even though 10 have been written. Why, you ask? Because, I find them bloody boring. So, obviously, they need not continue. "Cut that which does not work." It's almost as catchy as "Omit needless words," right? Okay...not so much.
That said, I still will continue the existence of the LLWS MySpace. But, I'll retitle it and maintain it only for the purpose of online community. Speaking of online communities, I'm a silent conspirator in LIZFIZZ.BIZ -- I was going to be writing some stuff for it...but, there's that time issue again! So, I plan on participating in the group movie review podcasts.
On the horizon: Finally releasing SONS & DAUGHTERS. Promoting ROMEO & JULIET. Yeah, that's it for right now. I'm finding that I need to slim down at get YHF fit for 2006. Once these two goals are met, I'll move onto the rest.
On the personal front: Becoming a better husband. Raising my GPA. Pouring my creative energy into Unlimited Youth. Getting good at my Social Security job. Burning bright at the Starbucks kiosk.
You are not alone,
J. Stephen Jorge
*The LYING LIVE LiveJournal will, of course, remain active as I'll be reading and commenting on my Friends Page. But, there will be no new posts after January 1 -- until I return with new micro-fiction, that is.
As New Year's is approaching, I'm in a state of utter re-evaluation. Events have pushed back YHF and its releases to an uncomfortable degree. This must be remedied. I've already mentioned that LYING LIVE will be winding down for a while (now that NEW KICK/OLD GODS is complete.) I'll be posting the bookend short story on New Year's eve. I fully expect to return to these tiny tales in a few months (maybe sooner, maybe later); but I don't want it to become a chore. Plus, it'll free up a good deal of time and energy.*
Speaking of chores: LIME-LIT WAR STORIES will be going away permanently. I've only posted eight of these essays even though 10 have been written. Why, you ask? Because, I find them bloody boring. So, obviously, they need not continue. "Cut that which does not work." It's almost as catchy as "Omit needless words," right? Okay...not so much.
That said, I still will continue the existence of the LLWS MySpace. But, I'll retitle it and maintain it only for the purpose of online community. Speaking of online communities, I'm a silent conspirator in LIZFIZZ.BIZ -- I was going to be writing some stuff for it...but, there's that time issue again! So, I plan on participating in the group movie review podcasts.
On the horizon: Finally releasing SONS & DAUGHTERS. Promoting ROMEO & JULIET. Yeah, that's it for right now. I'm finding that I need to slim down at get YHF fit for 2006. Once these two goals are met, I'll move onto the rest.
On the personal front: Becoming a better husband. Raising my GPA. Pouring my creative energy into Unlimited Youth. Getting good at my Social Security job. Burning bright at the Starbucks kiosk.
You are not alone,
J. Stephen Jorge
*The LYING LIVE LiveJournal will, of course, remain active as I'll be reading and commenting on my Friends Page. But, there will be no new posts after January 1 -- until I return with new micro-fiction, that is.
Tuesday, December 20, 2005
Promises Kept
I did mention something about providing more info on A CHRISTMAS TALE, didn't I?
Yeah, so I am "Lead Storyteller" among a group of traveling storytellers (think...the days of yore) in this one-act musical. Also in the cast: My darling Madi, Mike Mac, Brandon Cox, several other good and new friends; all of us carried by the killer music of Carl vdB and the Relevant house band.
The show plays twice on December 24th (that's right: Christmas Eve) at 4:30 and 6pm. Admission is gratis. For excellent directions to The Italian Club (in Historic Ybor City), visit this site and click on "directions."
You are not alone,
J. Stephen Jorge
P.S. Yes, I know. Not every promise has been kept. LYING LIVE hasn't exactly been daily. But NEW KICK/OLD GODS, (the last LL experiment of '05) will conclude by Christmas Eve...for better or for worse. On New Year's Eve, I'm going to post a special "full-length" short story (that I posted before, then removed) which will serve as a proper bookend while I take a few weeks (maybe months) off from LYING LIVE to dote on a large scale fictive work (and give the YHF titles the attention they deserve.)
2005 was a good year of framework, lifting off the blueprint year of '04. I see 2006 as the year YellowHouseFiction seals the deal and opens shop. SONS & DAUGHTERS. SOUNDTRACK TO SONS & DAUGHTERS. AMELIE POCKET. RISE TO FAME. ARBITRARY PICTURES. Each will see the light of day.
Blessings to all of you.
Yeah, so I am "Lead Storyteller" among a group of traveling storytellers (think...the days of yore) in this one-act musical. Also in the cast: My darling Madi, Mike Mac, Brandon Cox, several other good and new friends; all of us carried by the killer music of Carl vdB and the Relevant house band.
The show plays twice on December 24th (that's right: Christmas Eve) at 4:30 and 6pm. Admission is gratis. For excellent directions to The Italian Club (in Historic Ybor City), visit this site and click on "directions."
You are not alone,
J. Stephen Jorge
P.S. Yes, I know. Not every promise has been kept. LYING LIVE hasn't exactly been daily. But NEW KICK/OLD GODS, (the last LL experiment of '05) will conclude by Christmas Eve...for better or for worse. On New Year's Eve, I'm going to post a special "full-length" short story (that I posted before, then removed) which will serve as a proper bookend while I take a few weeks (maybe months) off from LYING LIVE to dote on a large scale fictive work (and give the YHF titles the attention they deserve.)
2005 was a good year of framework, lifting off the blueprint year of '04. I see 2006 as the year YellowHouseFiction seals the deal and opens shop. SONS & DAUGHTERS. SOUNDTRACK TO SONS & DAUGHTERS. AMELIE POCKET. RISE TO FAME. ARBITRARY PICTURES. Each will see the light of day.
Blessings to all of you.
Tuesday, December 13, 2005
Add & Listen
Yeah, that cool cat JONATHAN KELLEY is working hard on his YHF full-length debut...and he wants everyone to know it! Just check out his MySpace page: Jonathan Kelley Music.
If you're on that little old thing now owned by Rupert Murdoch, you should check out his chilling songs. One day, you'll say you heard him when.
You are not alone,
J. Stephen Jorge
If you're on that little old thing now owned by Rupert Murdoch, you should check out his chilling songs. One day, you'll say you heard him when.
You are not alone,
J. Stephen Jorge
Monday, December 12, 2005
Closing Thoughts
Flash Johnson (fellow Championship Streetfighter and contributor to the upcoming LizFizz.biz webmag) joined me for the final evening performance of POLAROID STORIES. The cast really grew into this thing beautifully and, for reward, they received a large house that found the humor in the darkest crevices of the play.
Stageworks Theatre's director (of wide renown) Anna Brennan was in attendance, as was the WEEKLY PLANET's Best Actor of 2005 Jack Holloway. So, that was cool too.
You are not alone,
J. Stephen Jorge
Stageworks Theatre's director (of wide renown) Anna Brennan was in attendance, as was the WEEKLY PLANET's Best Actor of 2005 Jack Holloway. So, that was cool too.
You are not alone,
J. Stephen Jorge
Friday, December 09, 2005
Final 3 Chances...
...to experience Naomi Iizuka's frightening play POLAROID STORIES! They're doing a fantastic job.
Those who have caught the show may have recognized the last songs leading into the start of the play and the end of intermission:
Joy Electric leads us into Act 1. ::Giles leads us into Act 2.
How cool is that?
You are not alone,
J. Stephen Jorge
Those who have caught the show may have recognized the last songs leading into the start of the play and the end of intermission:
Joy Electric leads us into Act 1. ::Giles leads us into Act 2.
How cool is that?
You are not alone,
J. Stephen Jorge
Thursday, December 08, 2005
Upon the close of John Lennon's Death Day
Today I turned 26. Life presented me with affirmation, investment and encouragement in the form of an unbelievable collection of work toys. I (along with YellowHouseFiction) am now the proud owner of a Apple PowerBook G4, JBL Creature II Speakers, a 30-gig video iPod and an Epson Printer/Scanner. This all appeared through the efforts of my amazing bride and her deft ease at covert organization. Yeah, so I'm a tad overwhelmed by the generosity of so many people...
A massive thank you shadowed by my weak humility goes out to each of you, friends, family and readers alike. Thank you for your kindness and love. Thank you for the warm wishes, gifts, calls and e-mails. Each of you made this day more and more special for this unworthy soul.
With this post, I wave a fond farewell to the Era of Incompatibility. Goodbye to the late night visits to Kinkos (and the 20-30 cents a minute internet connection.) Adios to the early morning stops at HCC (and their crappy printers.) Ta-ta to my obsolete former self. Tomorrow, we take over the world.
You are not alone,
J. Stephen Jorge
A massive thank you shadowed by my weak humility goes out to each of you, friends, family and readers alike. Thank you for your kindness and love. Thank you for the warm wishes, gifts, calls and e-mails. Each of you made this day more and more special for this unworthy soul.
With this post, I wave a fond farewell to the Era of Incompatibility. Goodbye to the late night visits to Kinkos (and the 20-30 cents a minute internet connection.) Adios to the early morning stops at HCC (and their crappy printers.) Ta-ta to my obsolete former self. Tomorrow, we take over the world.
You are not alone,
J. Stephen Jorge
Wednesday, December 07, 2005
Digging for Treasure
Okay, here's a challenge you might find interesting. I'm going to mention the titles of two books I've read this week (both of which you'd enjoy too.) But, I'm also going ask you to focus your attention on two itty, bitty anecdotal stories within these books.
In A GENEROUS ORTHODOXY (Brian McLaren) you should seek out the tale of the Pakistani woman who loves God. It'll make you smile and re-think your whole life.
In THE SHAPING OF THINGS TO COME (Michael Frost, Alan Hirsch) you should dig up the fable of God in the strip club. You'll be rewarded with an other-worldly delight.
Find the hook, then enjoy the whole song.
Is everyone as excited for December 9th as I am? Are you (re)reading THE CHRONICLES OF NARNIA? C.S. Lewis day is upon us.
You are not alone,
J. Stephen Jorge
In A GENEROUS ORTHODOXY (Brian McLaren) you should seek out the tale of the Pakistani woman who loves God. It'll make you smile and re-think your whole life.
In THE SHAPING OF THINGS TO COME (Michael Frost, Alan Hirsch) you should dig up the fable of God in the strip club. You'll be rewarded with an other-worldly delight.
Find the hook, then enjoy the whole song.
Is everyone as excited for December 9th as I am? Are you (re)reading THE CHRONICLES OF NARNIA? C.S. Lewis day is upon us.
You are not alone,
J. Stephen Jorge
Thursday, December 01, 2005
The Run Down
So, how about an update on December Excitement @ YellowHouse?
* I (along with ELISABETH MADISON and NAOMI) will be performing in a one-act musical called A CHRISTMAS TALE on December 24th. Admission is free. It'll be at the Italian Club in Ybor City. More info soon.
* Madi and I spent a few hours with JASON PROCOPIO and his lovely wife Loanne before they caught their return flight to France. They're awesome... Jason will be delivering the final draft to AMELIE POCKET soon, soon, soon!
* POLAROID STORIES opens tonight at HCC Ybor (all the info is at YellowHouseFiction.com) and in today's WEEKLY PLANET, the show was written up as a "Planet Pick!" Don't miss it, man. Trust me on this.
* Speaking of NAOMI IIZUKA's brilliant play, P.S. - Last Tuesday night, I did a fun interview with 1340AM's "Entertainment and The Arts" show. Good stuff. Tomorrow on 88.5FM's "Art in Your Ear," the P.S. director DAN KHOURY and several of the cast members will chat with JoEllen and share a scene. The show airs live from 1-2 p.m.
* Well, SUCCESSION ELECTION finished up on Tuesday. Yeah, it had a bit of a wonky release schedule. But, it came out alright. What did you think? Have you read it backwards and forwards, yet? Pass or fail, you tell me. Today, I began the second LYING LIVE experiment. This one is called NEW KICK / OLD GODS and it will run daily (yes, I said daily) for 10 episodes. As with SUCCESSION ELECTION, it's designed to take full advantage of Live Journal as a fiction-engine medium. So, when it's all said and done, you should be able to read it backwards or forwards. I'm very excited about this story. Love it or hate it, let me know what you think.
* Off to street-team Ybor City before the show...
You are not alone,
J. Stephen Jorge
* I (along with ELISABETH MADISON and NAOMI) will be performing in a one-act musical called A CHRISTMAS TALE on December 24th. Admission is free. It'll be at the Italian Club in Ybor City. More info soon.
* Madi and I spent a few hours with JASON PROCOPIO and his lovely wife Loanne before they caught their return flight to France. They're awesome... Jason will be delivering the final draft to AMELIE POCKET soon, soon, soon!
* POLAROID STORIES opens tonight at HCC Ybor (all the info is at YellowHouseFiction.com) and in today's WEEKLY PLANET, the show was written up as a "Planet Pick!" Don't miss it, man. Trust me on this.
* Speaking of NAOMI IIZUKA's brilliant play, P.S. - Last Tuesday night, I did a fun interview with 1340AM's "Entertainment and The Arts" show. Good stuff. Tomorrow on 88.5FM's "Art in Your Ear," the P.S. director DAN KHOURY and several of the cast members will chat with JoEllen and share a scene. The show airs live from 1-2 p.m.
* Well, SUCCESSION ELECTION finished up on Tuesday. Yeah, it had a bit of a wonky release schedule. But, it came out alright. What did you think? Have you read it backwards and forwards, yet? Pass or fail, you tell me. Today, I began the second LYING LIVE experiment. This one is called NEW KICK / OLD GODS and it will run daily (yes, I said daily) for 10 episodes. As with SUCCESSION ELECTION, it's designed to take full advantage of Live Journal as a fiction-engine medium. So, when it's all said and done, you should be able to read it backwards or forwards. I'm very excited about this story. Love it or hate it, let me know what you think.
* Off to street-team Ybor City before the show...
You are not alone,
J. Stephen Jorge
Tuesday, November 29, 2005
Monday, November 21, 2005
From Bad to Worse
ONE = An error message from the printer's website.
ONE = Over 50 (minor, minor, I know they're minor) errors found in the latest proof copy.
ONE = The realization that another proof copy will have to be approved after these issues are fixed.
1+1+1=3
THREE = Reasons why SONS & DAUGHTERS will release later than planned.
It'll be late. But, it'll be OCD perfect.
You are not alone,
J. Stephen Jorge
ONE = Over 50 (minor, minor, I know they're minor) errors found in the latest proof copy.
ONE = The realization that another proof copy will have to be approved after these issues are fixed.
1+1+1=3
THREE = Reasons why SONS & DAUGHTERS will release later than planned.
It'll be late. But, it'll be OCD perfect.
You are not alone,
J. Stephen Jorge
Sunday, November 20, 2005
Shoot Me. I Beg You.
Will be offline until Monday.
Monday and Tuesday will be a mixture of Heaven and Hell.
Heaven: Starting Monday, (finally) my (now) two-day, eight-part serial will run in LYING LIVE. A new LIME-LIT WAR STORY will air on Tuesday, coinciding with the release of the first YellowHouseFiction book, SONS & DAUGHTERS. Tuesday will end with a Commune Christmas Party, which will be very nice as I'll get to see so many great people who have been scattered by the four winds.
Hell: Everything else. IE: Work, work, some more work, promotional work, lack of sleep due to work, skipping meals 'cause of work, the need to work more to pay more bills, forgetting how to smile thanks to work. Unfortunately, work is no longer simply the title of the place I go to 50+ hrs a week in order to make a living. Work, in my mind, now comprises of every living minute of every dying day.
Heaven help me.
See you on Monday.
You are not alone,
J. Stephen Jorge
Monday and Tuesday will be a mixture of Heaven and Hell.
Heaven: Starting Monday, (finally) my (now) two-day, eight-part serial will run in LYING LIVE. A new LIME-LIT WAR STORY will air on Tuesday, coinciding with the release of the first YellowHouseFiction book, SONS & DAUGHTERS. Tuesday will end with a Commune Christmas Party, which will be very nice as I'll get to see so many great people who have been scattered by the four winds.
Hell: Everything else. IE: Work, work, some more work, promotional work, lack of sleep due to work, skipping meals 'cause of work, the need to work more to pay more bills, forgetting how to smile thanks to work. Unfortunately, work is no longer simply the title of the place I go to 50+ hrs a week in order to make a living. Work, in my mind, now comprises of every living minute of every dying day.
Heaven help me.
See you on Monday.
You are not alone,
J. Stephen Jorge
Saturday, November 19, 2005
'Bout to Head to the Kiosk
Yeah, time to make some Frapps and brew some Yukon. You gonna stop by for a visit?
So, I'm just about to post the first two parts of SUCCESSION ELECTION in LYING LIVE and LiveJournal has to go all funky on me. Guess I'll be releasing those tonight.
In other news: SONS & DAUGHTERS becomes available three days from now. I read one of the chapters yesterday (I believe it was THE RIVER by Sabine Balshazzar) and tears started to well up.
It's a great feeling to be publishing something that you find moving even after the 1,000,000th reading. Trust me, I've read SONS & DAUGHTERS so many times that I have to actually pause after ever word in order to properly proof the thing. Otherwise, auto-memory-read will kick in and all of you will laugh at my editorial errors. Then I'll be crying for other reasons.
Time for an Peppermint Mocha Latte. Care to join me?
You are not alone,
J. Stephen Jorge
So, I'm just about to post the first two parts of SUCCESSION ELECTION in LYING LIVE and LiveJournal has to go all funky on me. Guess I'll be releasing those tonight.
In other news: SONS & DAUGHTERS becomes available three days from now. I read one of the chapters yesterday (I believe it was THE RIVER by Sabine Balshazzar) and tears started to well up.
It's a great feeling to be publishing something that you find moving even after the 1,000,000th reading. Trust me, I've read SONS & DAUGHTERS so many times that I have to actually pause after ever word in order to properly proof the thing. Otherwise, auto-memory-read will kick in and all of you will laugh at my editorial errors. Then I'll be crying for other reasons.
Time for an Peppermint Mocha Latte. Care to join me?
You are not alone,
J. Stephen Jorge
Wednesday, November 16, 2005
Late LYING LIVE
Yeah, so I was hoping to start the first serial to grace the LYING LIVE stage last night. That didn't happen. So, this afternoon, I will post the first two parts of SUCCESSION ELECTION. They're subtitled "Lefty Loosey" and "Libertine." The other 6 parts will run daily. In other news: I'm totally nuts.
You are not alone,
J. Stephen Jorge
You are not alone,
J. Stephen Jorge
Tuesday, November 15, 2005
Quick Like
* Spoke to Jonathan Kelley yesterday. Someone very cool (and very hot right now) is interested in producing his forthcoming full-length. Said producer is in a band that is very cool (and very hot right now). There is singing in all the land. How will you cope?
* D is the letter of the day. D is for despondent. Why? I don't know... I shouldn't be, right?
* Other news I should be thrilled about: Tomorrow night, I get to see U2. Looks like I'll be writing up the experience for a crazy new website. More on that when it develops.
* If things go as planned, I'll start running the first serial on LYING LIVE tonight. It's an 8 part story entitled SUCCESSION ELECTION. We'll see if it works.
You are not alone,
J. Stephen Jorge
* D is the letter of the day. D is for despondent. Why? I don't know... I shouldn't be, right?
* Other news I should be thrilled about: Tomorrow night, I get to see U2. Looks like I'll be writing up the experience for a crazy new website. More on that when it develops.
* If things go as planned, I'll start running the first serial on LYING LIVE tonight. It's an 8 part story entitled SUCCESSION ELECTION. We'll see if it works.
You are not alone,
J. Stephen Jorge
Saturday, November 12, 2005
Friday, November 11, 2005
A Good Day
In last night's post, I found my two final proof copies of SONS & DAUGHTERS. They look wonderful. I have to make a size adjustment of the front cover and I want to change the spine a bit; but, essentially, the book is ready for its 11/22 release!
In last night's e-mail, I found a message from our wonderful printer (www.lulu.com) announcing that hardcover treatment is now available (at this time, only for 6x9 books...which happens to be the size of SONS & DAUGHTERS!) Now, the question is whether I should make a hardcover edition available.
It looks like the online purchase price will be $6.99 plus s&h with the bookstore retail price set at $7.99 (as there is a different printer and set-up used for bookstore orders). Plus, I decided to release a free PDF of the book so folks can sample it to their heart's content, then buy a copy since reading ANY book on a computer screen gets tedious...at least for me. All this means YellowHouseFiction is truly considerate of a reader's wallet.
My concern is that a $20+ hardcover doesn't align well with the ethic of placing these stories in the hands of the most readers possible. What do you think?
(Either way, I plan on creating a hardcover edition for the authors -- their just too nice not to...dust jackets and everything!)
Today is Veteran's day. Take a minute to do the right thing, okay?
For a great blog from a vet serving in Iraq (who also happens to be my cousin), visit http://shaunchautablog.blogspot.com.
You are not alone,
J. Stephen Jorge
In last night's e-mail, I found a message from our wonderful printer (www.lulu.com) announcing that hardcover treatment is now available (at this time, only for 6x9 books...which happens to be the size of SONS & DAUGHTERS!) Now, the question is whether I should make a hardcover edition available.
It looks like the online purchase price will be $6.99 plus s&h with the bookstore retail price set at $7.99 (as there is a different printer and set-up used for bookstore orders). Plus, I decided to release a free PDF of the book so folks can sample it to their heart's content, then buy a copy since reading ANY book on a computer screen gets tedious...at least for me. All this means YellowHouseFiction is truly considerate of a reader's wallet.
My concern is that a $20+ hardcover doesn't align well with the ethic of placing these stories in the hands of the most readers possible. What do you think?
(Either way, I plan on creating a hardcover edition for the authors -- their just too nice not to...dust jackets and everything!)
Today is Veteran's day. Take a minute to do the right thing, okay?
For a great blog from a vet serving in Iraq (who also happens to be my cousin), visit http://shaunchautablog.blogspot.com.
You are not alone,
J. Stephen Jorge
Thursday, November 10, 2005
Wednesday, November 09, 2005
That's Major Frustration to you, soldier!
Running a no-budget creative arts startup from you living room is a hassle, especially when you don't have the proper equipment, online connection, or time.
Tonight, I'm having a terrible time trying to finish the poster mock-up for POLAROID STORIES. I want to kill Bill Gates. I want to kill him dead.
The only thing that's keeping me afloat right now is the thought of those final proof copies of SONS & DAUGHTERS which should be in my mailbox by Saturday. (Of course, there's always the fear that there is STILL something wrong which will mean more work and a release delay...but those are only fears.)
Hope you all have a better evening than I.
You are not alone,
J. Stephen Jorge
Tonight, I'm having a terrible time trying to finish the poster mock-up for POLAROID STORIES. I want to kill Bill Gates. I want to kill him dead.
The only thing that's keeping me afloat right now is the thought of those final proof copies of SONS & DAUGHTERS which should be in my mailbox by Saturday. (Of course, there's always the fear that there is STILL something wrong which will mean more work and a release delay...but those are only fears.)
Hope you all have a better evening than I.
You are not alone,
J. Stephen Jorge
Tuesday, November 08, 2005
Monday, November 07, 2005
Last Night
Friends in Boston and (then New York) should check out the wild ride that is CHARLES ROSS' ONE MAN STAR WARS TRILOGY when it comes to town (then returns to Broadway). Madi and I accompanied a group of students to the final Tampa showing. This is one of those show that is equal parts maddening and inspiring. Ross is funny, observant, spot-on and quite good.
You are not alone,
J. Stephen Jorge
You are not alone,
J. Stephen Jorge
Sunday, November 06, 2005
Saturday, November 05, 2005
Friday, November 04, 2005
Thursday, November 03, 2005
Friday, October 28, 2005
If Ya' Know What's Gud For Ya'
You'll totally hit up www.sanczel.com and scroll down (after you read the bit about the PENCILMAN DVD, which I'm totally going to buy) until you get to WATCH IT! CLICK HERE...then click it and watch it. It's a short film featuring Sean Sanczel of THE BIG FINISH and THE IMPORTANCE OF BEING ERNIE with Jessica Alexander currently playing in Alan Bennett's TALKING HEADS at the Gorilla Theatre in Tampa.
The film is hilarious. Watch it now. Then, if you know what is good for your soul, head on down to the Gorilla and see Jessica live and on an up-close stage.
Another actor buddy, Mike McNabb joined me for their opening last night. The play is witty, at times dark and always moving.
...
All the final changes to SONS & DAUGHTERS have been made and I'll be uploading them later today. I'll update you with the final retail price and release date soon... Are you marking your calendar right this moment for POLAROID STORIES?
You are not alone,
J. Stephen Jorge
The film is hilarious. Watch it now. Then, if you know what is good for your soul, head on down to the Gorilla and see Jessica live and on an up-close stage.
Another actor buddy, Mike McNabb joined me for their opening last night. The play is witty, at times dark and always moving.
...
All the final changes to SONS & DAUGHTERS have been made and I'll be uploading them later today. I'll update you with the final retail price and release date soon... Are you marking your calendar right this moment for POLAROID STORIES?
You are not alone,
J. Stephen Jorge
Wednesday, October 26, 2005
Words in Play
When I was 14 (maybe, 15), I was cast for this play called IF THE GOOD LORD'S WILLING AND THE CREEK DON'T RISE. My role was that of "Leo Jenkins" a pathetic dolt who was infatuated with a budding actress. The show was a blast and it turned out to be quite a memorable success.
Yesterday, I learned from poet and folk singer Judy Barrett an interesting fact about that traditional phrase: "If the good Lord's willing..."
It doesn't actually mean a rising creek as in water rising ashore. It's a spoken hope that the Creek nation of Native Americans won't rise against you in battle.
Cool stuff, huh?
You are not alone,
J. Stephen Jorge
Yesterday, I learned from poet and folk singer Judy Barrett an interesting fact about that traditional phrase: "If the good Lord's willing..."
It doesn't actually mean a rising creek as in water rising ashore. It's a spoken hope that the Creek nation of Native Americans won't rise against you in battle.
Cool stuff, huh?
You are not alone,
J. Stephen Jorge
Tuesday, October 25, 2005
Number 59? You're next.
My mind is one tight waiting room. Before any thought can be entertained, it must take a number, find a seat and wait its turn. Sound pretty miserable, yes. But, the music is good.
Well, today a young, happy thought with wisdom well beyond its years was finally called upon. It gave quite a convincing speech.
"Do you realize you're doing exactly what you've always wanted to do? Forget the part about having to squeeze it all between your two paying jobs and school and yadda, yadda, yadda. Just. Listen to me: You're releasing a book next month. You're writing every day. You're promoting a fantastic play. You're preparing a new role for a new show. You've even found incredible collaborators for that webcomic and spoken word project. What have you got to complain about? This is a good time for you...so, cherish it! Yeah, you're swamped; but you're swamped with hope."
Thanks, thought. I needed that perspective.
You are not alone,
J. Stephen Jorge
Well, today a young, happy thought with wisdom well beyond its years was finally called upon. It gave quite a convincing speech.
"Do you realize you're doing exactly what you've always wanted to do? Forget the part about having to squeeze it all between your two paying jobs and school and yadda, yadda, yadda. Just. Listen to me: You're releasing a book next month. You're writing every day. You're promoting a fantastic play. You're preparing a new role for a new show. You've even found incredible collaborators for that webcomic and spoken word project. What have you got to complain about? This is a good time for you...so, cherish it! Yeah, you're swamped; but you're swamped with hope."
Thanks, thought. I needed that perspective.
You are not alone,
J. Stephen Jorge
Sunday, October 23, 2005
THE INTELLIGENT DESIGN OF JENNY CHOW
When I gather for church, I come with expectations of meeting with God in some way, some fashion. The same hopes were present when I walked up the steps of a converted church building (probably Episcopal or Presbyterian) and entered the home of the Atlantic Theatre Company in New York. Madi, Sabine and her husband Brian accompanied me into the lobby to pick up our tickets. The small gathering space was adorned with framed posters of shows I only dreamed of experiencing: David Mamet's AMERICAN BUFFALO, revived with William H. Macy and Philip Baker Hall in the roles of Teach and Don; Woody Allen's WRITER'S BLOCK, autographed by the writer/director; even a special engagement written by Mamet with Shel Silverstein of THE GIVING TREE fame. On the opposing wall, there were small paintings of scenes from other plays this brilliant company had produced during previous seasons. Across from the box office window stood a friendly attendant behind a concession table. She was selling drinks, snacks and The Intelligent Cocktail of Jenny Chow that tasted of plum and cranberry.
Atlantic's theatre is surrounded by exposed brick and housed beneath open frames. The seats slope down and nearly meet the stage (which is in perfect proportion to the house.) Madi laughed after we found our second row seats. When asked what was so funny, she said, "This place reminds me of the theatres Joey worked in on FRIENDS. I'm just surprised to find something about 'their New York' that was actually accurate!" Just as in Tampa's Gorilla Theatre (and many others), the restrooms are found behind the stage, which allows you to step upon the stage itself and, during the time it takes you to make your way to the toilet, which may be expedited if the urge is great, you actually get to stand on the holy ground that is the stage.
There was some breezy, melancholy song playing before the show started. Think in terms of the GARDEN STATE soundtrack and you'd come close. The set was bathed in blue light. We were staring into a bedroom covered in posters: DONNIE DARKO, THE EMPIRE STRIKES BACK, Death Cab for Cutie, The Flaming Lips, etc. A computer desk/experiment table was center stage. We could see the sunrise over the horizon through the large window of the bedroom. But this was no ordinary bedroom and this was no simple set. The design was living, breathing; it was practically another actor on the stage. This additional player transformed into a rooftop for stargazing, a dining room for family infighting, an Asian home on the other side of the world, a night's drive outdoors and, strange as it sounds, a men's toilet stall at the campus of Yale University. All of this movement was executed seamlessly, hand in hand with illustrative transitions of light.
The play began with a light piano score. We were introduced to an ensemble of actors filled with energy, focus, passion and humor. They were costumed distinctively with Jennifer's red scarf - her baby blanket - playing a moving, vital role in the plot. We were indeed moved. Moved from interest to frustration (with Jennifer's O.C.D.), from laughter to despair (at Agoraphobia, at lost causes), from hope to heartache (because of the invention and "success" of Jenny Chow.) We were brought into this story of a brilliant, adopted, eccentric twenty-something on a quest to escape her current mother-daughter relations and find her biological roots. To accomplish this feat and overcome her psychosis, Jennifer does the unthinkable: she creates artificial life.
The moment that Jenny Chow (Jennifer's robotic ambassador) moved her fingers created a wave of excitement and joy within the audience. It crystallized what I found charming about this drama. This artificial intelligence had so many emotional effects on her creator that it gave us true insight into matters of paternal, even spiritual relationships. As an audience, we were confronting matters of God and heritage, of love and disappointment without ever feeling the dreaded Lecture.
There are so many scenes of note... The best use of the song "Saturday Night" since SO, I MARRIED AN AX MURDERER... The Mormon missionary's personal timing issues... The Rubik's cube made of light... The casting choice of the Asian family... Jenny Chow flying...
As the spotlight closed in on Jennifer while she fell deeper and deeper into her routine of peace, my heart broke. I can still feel the shattering even as I type this, weeks later. This is theatre. This is everything I love about truth.
You are not alone,
J. Stephen Jorge
Atlantic's theatre is surrounded by exposed brick and housed beneath open frames. The seats slope down and nearly meet the stage (which is in perfect proportion to the house.) Madi laughed after we found our second row seats. When asked what was so funny, she said, "This place reminds me of the theatres Joey worked in on FRIENDS. I'm just surprised to find something about 'their New York' that was actually accurate!" Just as in Tampa's Gorilla Theatre (and many others), the restrooms are found behind the stage, which allows you to step upon the stage itself and, during the time it takes you to make your way to the toilet, which may be expedited if the urge is great, you actually get to stand on the holy ground that is the stage.
There was some breezy, melancholy song playing before the show started. Think in terms of the GARDEN STATE soundtrack and you'd come close. The set was bathed in blue light. We were staring into a bedroom covered in posters: DONNIE DARKO, THE EMPIRE STRIKES BACK, Death Cab for Cutie, The Flaming Lips, etc. A computer desk/experiment table was center stage. We could see the sunrise over the horizon through the large window of the bedroom. But this was no ordinary bedroom and this was no simple set. The design was living, breathing; it was practically another actor on the stage. This additional player transformed into a rooftop for stargazing, a dining room for family infighting, an Asian home on the other side of the world, a night's drive outdoors and, strange as it sounds, a men's toilet stall at the campus of Yale University. All of this movement was executed seamlessly, hand in hand with illustrative transitions of light.
The play began with a light piano score. We were introduced to an ensemble of actors filled with energy, focus, passion and humor. They were costumed distinctively with Jennifer's red scarf - her baby blanket - playing a moving, vital role in the plot. We were indeed moved. Moved from interest to frustration (with Jennifer's O.C.D.), from laughter to despair (at Agoraphobia, at lost causes), from hope to heartache (because of the invention and "success" of Jenny Chow.) We were brought into this story of a brilliant, adopted, eccentric twenty-something on a quest to escape her current mother-daughter relations and find her biological roots. To accomplish this feat and overcome her psychosis, Jennifer does the unthinkable: she creates artificial life.
The moment that Jenny Chow (Jennifer's robotic ambassador) moved her fingers created a wave of excitement and joy within the audience. It crystallized what I found charming about this drama. This artificial intelligence had so many emotional effects on her creator that it gave us true insight into matters of paternal, even spiritual relationships. As an audience, we were confronting matters of God and heritage, of love and disappointment without ever feeling the dreaded Lecture.
There are so many scenes of note... The best use of the song "Saturday Night" since SO, I MARRIED AN AX MURDERER... The Mormon missionary's personal timing issues... The Rubik's cube made of light... The casting choice of the Asian family... Jenny Chow flying...
As the spotlight closed in on Jennifer while she fell deeper and deeper into her routine of peace, my heart broke. I can still feel the shattering even as I type this, weeks later. This is theatre. This is everything I love about truth.
You are not alone,
J. Stephen Jorge
Wednesday, October 19, 2005
Midnight News
Yeah, I can't find the essay on the Atlantic play. I wrote it out and set it somewhere and...yeah. When I find it, I'm going to type and post it post haste.
In the meantime,
- I miss old friends. There are so many. In differing ways, I miss them all. If you're one of them and you happen across this: I mean you, especially.
- Publicity work on POLAROID STORIES is coming along well. Only hope I can bring in the crowds. This show should be seen and enjoyed by many, terrifying even more.
- The micro-fiction series I started over on LiveJournal is actually working. Some are better than others. Eh. The beautiful thing is that it all goes down like this: I pick someone I know; I try to pick some idea that they would enjoy; I choose some structural framework that interests me or will challenge me; I write it; I post it...and in one day I can pull up a story and throw it back finished, totally detaching myself from "whether I like it or not." I have that small time limit and it is really pushing my writing. I believe my actual works of length will reap the benefits of this ongoing exercise.
- SONS & DAUGHTERS is a huge topic for me right now. We're going to release it online and make it available to (and through) bookstores in November. The idea of giving away a free PDF version is being rolled about too. Since the whole goal of the Debutante Five releases are to get the creators out in front of an audience and build that core audience up, I think a free electronic version is a good idea. In the long run, I think it will lead to more copies of the actual book being sold (at $6.99, at least that's what it looks like right now.)
- Looks like we may get Hurricane Wilma. Batten down your CD collection. (Oh, I forgot. I'm the only one without an iPod at this point, huh?)
- Webmaster Wes has a placeholder up at www.yellowhousefiction.com! We're coming soon, baby.
You are not alone,
J. Stephen Jorge
In the meantime,
- I miss old friends. There are so many. In differing ways, I miss them all. If you're one of them and you happen across this: I mean you, especially.
- Publicity work on POLAROID STORIES is coming along well. Only hope I can bring in the crowds. This show should be seen and enjoyed by many, terrifying even more.
- The micro-fiction series I started over on LiveJournal is actually working. Some are better than others. Eh. The beautiful thing is that it all goes down like this: I pick someone I know; I try to pick some idea that they would enjoy; I choose some structural framework that interests me or will challenge me; I write it; I post it...and in one day I can pull up a story and throw it back finished, totally detaching myself from "whether I like it or not." I have that small time limit and it is really pushing my writing. I believe my actual works of length will reap the benefits of this ongoing exercise.
- SONS & DAUGHTERS is a huge topic for me right now. We're going to release it online and make it available to (and through) bookstores in November. The idea of giving away a free PDF version is being rolled about too. Since the whole goal of the Debutante Five releases are to get the creators out in front of an audience and build that core audience up, I think a free electronic version is a good idea. In the long run, I think it will lead to more copies of the actual book being sold (at $6.99, at least that's what it looks like right now.)
- Looks like we may get Hurricane Wilma. Batten down your CD collection. (Oh, I forgot. I'm the only one without an iPod at this point, huh?)
- Webmaster Wes has a placeholder up at www.yellowhousefiction.com! We're coming soon, baby.
You are not alone,
J. Stephen Jorge
Thursday, October 13, 2005
Oh, yeah!
Harold Pinter won the Nobel Prize for Literature. Right on!
There's a great quote I came across about how he thinks the world has enough of his plays. Whatever.
You are not alone,
J. Stephen Jorge
There's a great quote I came across about how he thinks the world has enough of his plays. Whatever.
You are not alone,
J. Stephen Jorge
"Sweet Mary" Rough Mix
Just heard the first new track from Jonathan Kelley's upcoming full-length ARBITRARY PICTURES. Ah, yeah. "Sweet Mary", with it's hypnotic chorus and earnest vocals is gonna be a classic.
"I think I'm crazy..."
You are not alone,
J. Stephen Jorge
"I think I'm crazy..."
You are not alone,
J. Stephen Jorge
Saturday, October 08, 2005
Going to Bed
Okay. Saturday's LYING LIVE is typed and posted on LiveJournal. Oh, how I yearn for a Treo, a laptop or anything circa 2003 to expidiate things! I'm going to crash for a few hours, then post the LLWS about my drag show (not, exactly, what you think!) with pictures (geeze...) on MySpace in the Morning.
Oh, did I mention that my wife Madi is amazing. She is. She never fails to surprise me and leave me in total wonder at how I can be so blessed. I wish you all the same happiness she brings me (for which I should express my appreciation much more often.) Good night, friends and strangers.
You are not alone,
J. Stephen Jorge
Oh, did I mention that my wife Madi is amazing. She is. She never fails to surprise me and leave me in total wonder at how I can be so blessed. I wish you all the same happiness she brings me (for which I should express my appreciation much more often.) Good night, friends and strangers.
You are not alone,
J. Stephen Jorge
Friday, October 07, 2005
Admin.
Back in action...NOW!
Okay, there's a new LYING LIVE up and I have to type up the (late) LIME-LIT WAR STORY and my Not-A-Review of THE INTELLIGENT DESIGN... Both should be done and posted tomorrow (along with the next LYING LIVE, which I just wrote.)
Things are busy. Life is tinkering with us. Quo Vadimus?
The current issue of THE NEW YORKER (10/10/05) contains a short story called EARLY MUSIC by Jeffrey Eugenides. It's potent, man. You should buy a copy and flip straight to page 72.
Also, FELL #2 came out this week -- penned by SONS & DAUGHTERS / Ambient Fiction inspirer Warren Ellis -- and for $1.99 there is no greater crime thriller on the comic book stands, not just cuz it's the only one at that price. I think there's a preview somewhere on www.the-engine.net ...
You are not alone,
J. Stephen Jorge
Okay, there's a new LYING LIVE up and I have to type up the (late) LIME-LIT WAR STORY and my Not-A-Review of THE INTELLIGENT DESIGN... Both should be done and posted tomorrow (along with the next LYING LIVE, which I just wrote.)
Things are busy. Life is tinkering with us. Quo Vadimus?
The current issue of THE NEW YORKER (10/10/05) contains a short story called EARLY MUSIC by Jeffrey Eugenides. It's potent, man. You should buy a copy and flip straight to page 72.
Also, FELL #2 came out this week -- penned by SONS & DAUGHTERS / Ambient Fiction inspirer Warren Ellis -- and for $1.99 there is no greater crime thriller on the comic book stands, not just cuz it's the only one at that price. I think there's a preview somewhere on www.the-engine.net ...
You are not alone,
J. Stephen Jorge
Monday, October 03, 2005
Fixing SONS & DAUGHTERS
Like I said before, the book looks great. The print, paper and color quality is perfect and the 6x9 size makes this 100pager actually look substantial, so that's really cool.
But, I re-did the spine this weekend because the test version is crap. I also need to expand the front cover to full-bleed as there is a slight discoloration around the edge. From the upload, I figured that would be the case. Finally I need to tweek the back cover somewhat now that I can see where they placed the ISBN barcode.
There was one final change I was thinking about... The interior margins seemed mighty small and I was concerned that readers might find that annoying. Of course, a change like that means completely reformatting and copyediting the book all over again, page by page.
"Let me say with all the love I can, YOU'RE CRAZY!" said Sabine.
Madi echoed with, "I told him he was crazy for even thinking about it."
So... yeah... I'll make those few cover changes, do one last slow read for typos and minor errors, upgrade the book from "basic" to "global" distribution (placing it at a profitable reach for bookstores) and that will be that.
Tomorrow: Notes from THE INTELLIGENT DESIGN OF JENNY CHOW
You are not alone,
J. Stephen Jorge
But, I re-did the spine this weekend because the test version is crap. I also need to expand the front cover to full-bleed as there is a slight discoloration around the edge. From the upload, I figured that would be the case. Finally I need to tweek the back cover somewhat now that I can see where they placed the ISBN barcode.
There was one final change I was thinking about... The interior margins seemed mighty small and I was concerned that readers might find that annoying. Of course, a change like that means completely reformatting and copyediting the book all over again, page by page.
"Let me say with all the love I can, YOU'RE CRAZY!" said Sabine.
Madi echoed with, "I told him he was crazy for even thinking about it."
So... yeah... I'll make those few cover changes, do one last slow read for typos and minor errors, upgrade the book from "basic" to "global" distribution (placing it at a profitable reach for bookstores) and that will be that.
Tomorrow: Notes from THE INTELLIGENT DESIGN OF JENNY CHOW
You are not alone,
J. Stephen Jorge
Saturday, October 01, 2005
Notes from Yesterday
- Two guys walk past us on St. Marks. One turns to the other and the first word I hear him utter is "cunt."
- I pass a terribly tall building of loft apartments with a gated garden in front. In the garden stands a small statue of a naked torso. No head or arms (barely the start of legs); just torso.
- The world is a stage and New York is its set.
- And there's a street vendor selling bongs. And one with art and another with meat-on-a-stick. And then there is one that's practically a children's book shop on a table; everything from Harry Potter to Elmo in strong supply and perfect condition.
- We take the 6 subway train. There's a two-person mariachi band moving from car to car. Their manager/lady-with-the-hat-to-pass-around accompanies them. One plays guitar, the other accordion; both sing. They look sufficiently morose for a New York subway. The guy next to me turns up the volume on his iPod. As we leave the train, Sabine tells Madi and I a great story about a subway preacher she was blessed to hear. He went from car to car (just like the band) only he preached instead of played. At the end of his sermon, he said, "Don't forget to make a donation. I've been working my ass of to save your souls!"
- We approach the Metropolitan Museum of Art (much more on that in a later post) to find hundreds of people sitting all over the steps. There are people everywhere. The cautious speed of the elderly moving past me is hilarious.
- On our way back to Sabine's apartment, we pass some kids. They're playing ball. These kids are playing ball in the street. In The Street, I mean that literally. There's one child (no older than 9) on one side of a one-way avenue with his two friends on the other side. As the cars, taxis, busses and delivery trucks speed past, the youths in question take turns launching a traditional red dodgeball as high and as far as they can. The final toss I witness nearly hits a man on a bike. The kids crack-up laughing.
- On our way to dinner, we pass a cello player and I immediately recognize the song he is playing as the theme from YOU CAN COUNT ON ME (Mark Ruffalo, Laura Linney)...of course, I realize that's NOT what it's called and I feel like a louse for not being able to tell you who composed it; but, the movie's really good so you should just rent it and shut the pie-hole. Anyway...I wanted to toss some money in his case, but I had yet to visit the ATM. Naive Floridian that I am, I hadn't figured upon his having CD's for sale merchandised within the case alongside a plastic sign reading "We Take Visa, MC and AMEX".
- After Dinner, we walked past CBGB's and The Public Theatre. I stopped inside the Shakespeare & Co. bookshop and lusted for nearly the length of a sitcom. Everyone waited for me outside.
- When I met up with them, Jason Procopio's little brother, Jeremy. He just moved to New York on a whim (sort of). On his first audition, just after he arrived, he landed the part of "Jerker Johnson" in NOT ENOUGH PRINCESSES. (See http://www.lookingglasstheatrenyc.com/ and click on Not Enough Princesses. That's Jeremy in the picture on the right.) We're going to catch his show tomorrow...
- On to the food! For brunch, Madi, Sabine and I visited Gramercy Cafe. Great food, fast service. After the museum, Madi was dying for afternoon tea, so we stopped into this place on Madison Ave. called Le Pain Quotidien. We had coffee, tea and desserts divided by three. The Belgian waffle was especially delicious. For dinner, Sabine's husband Brian and resident-NY-actress Brittany joined us at Jules Bistro ("Live Jazz Nightly") on 1st and St. Marks across the street from The Pearl Theatre. The atmosphere was perfect and I had this great mozzarella and tomato salad with French onion soup. Brittany told us that we HAD to visit McSorely's Ale House (est. 1854). It did disappoint. A surly gentleman in a grey frock came to our small corner tale to inquire, "Anybody here need any beer?" The selection: Light or Dark ale, brewed on the premises. Outside, there was a laminated sign taped to a tree which read, "Smoking Section - McSorely's Thanks You." On our way home we visited our home-away-from-home, Starbucks.
- The view from Sabine's apartment is ungodly. We are so lucky.
You are not alone,
J. Stephen Jorge
- I pass a terribly tall building of loft apartments with a gated garden in front. In the garden stands a small statue of a naked torso. No head or arms (barely the start of legs); just torso.
- The world is a stage and New York is its set.
- And there's a street vendor selling bongs. And one with art and another with meat-on-a-stick. And then there is one that's practically a children's book shop on a table; everything from Harry Potter to Elmo in strong supply and perfect condition.
- We take the 6 subway train. There's a two-person mariachi band moving from car to car. Their manager/lady-with-the-hat-to-pass-around accompanies them. One plays guitar, the other accordion; both sing. They look sufficiently morose for a New York subway. The guy next to me turns up the volume on his iPod. As we leave the train, Sabine tells Madi and I a great story about a subway preacher she was blessed to hear. He went from car to car (just like the band) only he preached instead of played. At the end of his sermon, he said, "Don't forget to make a donation. I've been working my ass of to save your souls!"
- We approach the Metropolitan Museum of Art (much more on that in a later post) to find hundreds of people sitting all over the steps. There are people everywhere. The cautious speed of the elderly moving past me is hilarious.
- On our way back to Sabine's apartment, we pass some kids. They're playing ball. These kids are playing ball in the street. In The Street, I mean that literally. There's one child (no older than 9) on one side of a one-way avenue with his two friends on the other side. As the cars, taxis, busses and delivery trucks speed past, the youths in question take turns launching a traditional red dodgeball as high and as far as they can. The final toss I witness nearly hits a man on a bike. The kids crack-up laughing.
- On our way to dinner, we pass a cello player and I immediately recognize the song he is playing as the theme from YOU CAN COUNT ON ME (Mark Ruffalo, Laura Linney)...of course, I realize that's NOT what it's called and I feel like a louse for not being able to tell you who composed it; but, the movie's really good so you should just rent it and shut the pie-hole. Anyway...I wanted to toss some money in his case, but I had yet to visit the ATM. Naive Floridian that I am, I hadn't figured upon his having CD's for sale merchandised within the case alongside a plastic sign reading "We Take Visa, MC and AMEX".
- After Dinner, we walked past CBGB's and The Public Theatre. I stopped inside the Shakespeare & Co. bookshop and lusted for nearly the length of a sitcom. Everyone waited for me outside.
- When I met up with them, Jason Procopio's little brother, Jeremy. He just moved to New York on a whim (sort of). On his first audition, just after he arrived, he landed the part of "Jerker Johnson" in NOT ENOUGH PRINCESSES. (See http://www.lookingglasstheatrenyc.com/ and click on Not Enough Princesses. That's Jeremy in the picture on the right.) We're going to catch his show tomorrow...
- On to the food! For brunch, Madi, Sabine and I visited Gramercy Cafe. Great food, fast service. After the museum, Madi was dying for afternoon tea, so we stopped into this place on Madison Ave. called Le Pain Quotidien. We had coffee, tea and desserts divided by three. The Belgian waffle was especially delicious. For dinner, Sabine's husband Brian and resident-NY-actress Brittany joined us at Jules Bistro ("Live Jazz Nightly") on 1st and St. Marks across the street from The Pearl Theatre. The atmosphere was perfect and I had this great mozzarella and tomato salad with French onion soup. Brittany told us that we HAD to visit McSorely's Ale House (est. 1854). It did disappoint. A surly gentleman in a grey frock came to our small corner tale to inquire, "Anybody here need any beer?" The selection: Light or Dark ale, brewed on the premises. Outside, there was a laminated sign taped to a tree which read, "Smoking Section - McSorely's Thanks You." On our way home we visited our home-away-from-home, Starbucks.
- The view from Sabine's apartment is ungodly. We are so lucky.
You are not alone,
J. Stephen Jorge
Friday, September 30, 2005
Pre-Coffee
Madi just said the word, "Oodle". Heh.
So, now that we're rested and well, it's time to plan out our Friday in Manhattan.
You are not alone,
J. Stephen Jorge
So, now that we're rested and well, it's time to plan out our Friday in Manhattan.
You are not alone,
J. Stephen Jorge
Thursday, September 29, 2005
At Home, Far Away.
Madi and I are sitting in Sabine's living room in Manhattan. We just ate a delicious lunch at Mumble's -- I had the vegetarian burger, Madi had the shrimp salad and Sabine had some pasta I can't spell or pronounce. When in New York, go to Mumble's. Trust me on this.
The flight was perfect. Of course, I slept through most of it. I've pulled two all-nighters in the past 72 hours. This is going to be a fun day for so many reasons.
You are not alone,
J. Stephen Jorge
The flight was perfect. Of course, I slept through most of it. I've pulled two all-nighters in the past 72 hours. This is going to be a fun day for so many reasons.
You are not alone,
J. Stephen Jorge
Wednesday, September 28, 2005
Derailed. Will prevail!
Spent the day in the ER with Madi. Never fear, she will be well.
Time to packpackpack. We fly out tomorrow at 7:55 a.m.
NYC or bust!
Oh...and I received the proof copy of SONS & DAUGHTERS today! I'm very, very happy with it. Everything on the production/printing end is perfect. This is one good lookin' book.
(Some minor adjustments need to be made on my end; but, I'll cover those in detail tomorrow...from The City.)
You are not alone,
J. Stephen Jorge
Time to packpackpack. We fly out tomorrow at 7:55 a.m.
NYC or bust!
Oh...and I received the proof copy of SONS & DAUGHTERS today! I'm very, very happy with it. Everything on the production/printing end is perfect. This is one good lookin' book.
(Some minor adjustments need to be made on my end; but, I'll cover those in detail tomorrow...from The City.)
You are not alone,
J. Stephen Jorge
Tuesday, September 27, 2005
Packing The Man Purse
What will I need in New York, you ask? Besides my sexy bride and hella good friends, there's quite a few things I need to stow away so that Progress Can Be Made. Here's what I'm thinking:
My tiny hardback version of A TALE OF TWO CITIES (almost finished).
All my "Glimpses" notebooks (from Thailand, basically my "sketchbooks").
Pens. Pencils. A Pad of Paper (for non-Writing writing).
My copy of GOOD OMENS (so, so funny).
A great book called THE CHEAP BASTARDS GUIDE TO NEW YORK (!).
The script of POLAROID STORIES (still soaking in it).
A library loaner edition of Ovid's METAMORPHOSES (see above).
Mika's pocket dictionary (I'm never giving it back).
A print-out of the first 8 chapters to RISE TO FAME (editor fun).
The proof copy of SONS & DAUGHTERS (if it arrives in time!!!).
A print-out of SPIRITS IN BONDAGE (still scoring the beats).
The lovely C.S. LEWIS ENCYCLOPEDIA (courtesy of Naomi).
That should do it. This vacation is gonna rawk.
You are not alone,
J. Stephen Jorge
My tiny hardback version of A TALE OF TWO CITIES (almost finished).
All my "Glimpses" notebooks (from Thailand, basically my "sketchbooks").
Pens. Pencils. A Pad of Paper (for non-Writing writing).
My copy of GOOD OMENS (so, so funny).
A great book called THE CHEAP BASTARDS GUIDE TO NEW YORK (!).
The script of POLAROID STORIES (still soaking in it).
A library loaner edition of Ovid's METAMORPHOSES (see above).
Mika's pocket dictionary (I'm never giving it back).
A print-out of the first 8 chapters to RISE TO FAME (editor fun).
The proof copy of SONS & DAUGHTERS (if it arrives in time!!!).
A print-out of SPIRITS IN BONDAGE (still scoring the beats).
The lovely C.S. LEWIS ENCYCLOPEDIA (courtesy of Naomi).
That should do it. This vacation is gonna rawk.
You are not alone,
J. Stephen Jorge
David Mamet's "The Dog" Is a Great Monologue
Just wanted to point that out...
I was truly late to the day job this morning. It’s all Jimmy Stewart’s fault (our dog, not the actor – he’s swell). Stu needed a last minute trip to the vet to make sure he’s a-ok for his Puppy Resort. This is one of the millions of details Madi and I are rushing to wrap up within the next 36 hours. New York, New York…we are on our way!
You are not alone,
J. Stephen Jorge
I was truly late to the day job this morning. It’s all Jimmy Stewart’s fault (our dog, not the actor – he’s swell). Stu needed a last minute trip to the vet to make sure he’s a-ok for his Puppy Resort. This is one of the millions of details Madi and I are rushing to wrap up within the next 36 hours. New York, New York…we are on our way!
You are not alone,
J. Stephen Jorge
Starting...wait for it...wait...for...it--NOW!
The proof copy of SONS & DAUGHTERS should have arrived yesterday. Yet, this morning I receive an e-mail telling me it has “now been shipped.” Wonderful! I get to wait in eager anxiety for a couple more days…
I only hope it will get here before I hop on the plane to NYC with Madi…
I really want to show the proof to Sabine…
On Sunday, Naomi gave a brilliant reading of 5 chapters from Daphne Higgenbotham's RISE TO FAME for a group of kids. Sort of a “focus group” experiment. All in all, it panned out pretty well (even if I did attract a completely different age-bracket than we desired). The kids who were there? They loved it (especially the vomity bits)…
Wes, our wonderful webmaster, has been fed an pretty fat, initial batch of content for YellowHouseFiction.Com (so, at least I don’t feel like total louse in that department). I’m excited to see what he designs out of the puzzle pieces I gave him…
Speaking of excitement, I’m filled with it every time I consider the fact that Jonathan Kelley is finally recording (right now!) his full length debut, ARBITRARY PICTURES, and YHF gets to help him release it! This is a dream come true…
I hope to get to the post today. I “need” to ship Jason Procopio some more random clippings from the New York Times. I wouldn’t want to deprive my French friends…
Oh, and I need to put together another flyer for HCC Ybor’s POLAROID STORIES before I fly out. Let’s call this “teaser flyer #2”…
Yeah. No sleep tonight. What of it?
You are not alone,
J. Stephen Jorge
I only hope it will get here before I hop on the plane to NYC with Madi…
I really want to show the proof to Sabine…
On Sunday, Naomi gave a brilliant reading of 5 chapters from Daphne Higgenbotham's RISE TO FAME for a group of kids. Sort of a “focus group” experiment. All in all, it panned out pretty well (even if I did attract a completely different age-bracket than we desired). The kids who were there? They loved it (especially the vomity bits)…
Wes, our wonderful webmaster, has been fed an pretty fat, initial batch of content for YellowHouseFiction.Com (so, at least I don’t feel like total louse in that department). I’m excited to see what he designs out of the puzzle pieces I gave him…
Speaking of excitement, I’m filled with it every time I consider the fact that Jonathan Kelley is finally recording (right now!) his full length debut, ARBITRARY PICTURES, and YHF gets to help him release it! This is a dream come true…
I hope to get to the post today. I “need” to ship Jason Procopio some more random clippings from the New York Times. I wouldn’t want to deprive my French friends…
Oh, and I need to put together another flyer for HCC Ybor’s POLAROID STORIES before I fly out. Let’s call this “teaser flyer #2”…
Yeah. No sleep tonight. What of it?
You are not alone,
J. Stephen Jorge
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